The files will be emailed back to you with the filename for each message in the first line of the body of the message. Delete the e-mail headers (and the line that gives you the name of the file) and save each message using the correct filename given on the first line in the body of the file.

%Sample submitted abstract for the meeting.
% Everything after a percent sign is ignored in the submission; it is treated as a comment.
\documentstyle[11pt,pasaabs]{article}
\nofiles
% PLEASE LEAVE THE FOLLOWING COMMANDS ALONE; don't change them at all. They will be determined by the ASA Program Organizing Committee
% and are required by the ASA Program typesetting translation software.
\aipid{ } % AIP id for SPIN database entry
\time{ } % Time of presentation
\abstractid{ } % The abstract identifier as it will appear in print
% Except for the abstract text, information should be entered between the curly braces { }. Optional comments that are now commented (follow a ''%''
% should be uncommented (delete the ''%'' sign) before use. You may return to a new line when entering long information (e.g., an affiliation). Please refer
% to the separate instructions if you have any questions (e.g., how to enter accent marks, mathematical symbols, bold face, etc.).
%
% Here is the information for the corresponding author. This information is used for contact only, it is NOT used for publication purposes.
\correspondingauthor{I.J. Knox} % REQUIRED
\correspondingaddress{2322 Harvardshire Path, Cambridge, MA 02122}
\correspondingphone{202-328-2010} % REQUIRED,
\correspondingemail{knox@icarus.bu.edu} % REQUIRED
\correspondingfax{202-555-1234} % OPTIONAL

\begin{document}

% Enter the title here. It should be initial capital only.
\title{Binaural loudness summation for tones and noise}

% For each institution enter one or more \author commands, then enter the \affil command. Just cut and paste the commands (either \author or \affil), and
% fill in, for more author(s) and affiliations. For each author, enter the first name and middle initial in the first braces; last name in middle braces; and Jr.,
% III, etc. in the last braces. Leave braces empty as needed. One email address will be included for each paper in the printed program. The address should be inserted immediately after the mailing address for the author whose email address is to be listed.
%
% REQUIRED, enter author(s) here as first name and middle initial, last name, and other (e.g., Jr.):
\author{Albert B.}{Jones}{Jr.}
% REQUIRED, for preceding author(s). Use standard abbreviations.
\affil{Dept. of Psychology, Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abjones@ne.edu}
\author{Irene J.}{Knox}{ }
\author{William F.}{Kinoo}{ }
\affil{Dept. of Psychology, Boston Univ., Boston, MA 02115}
%Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted."
% INSERT THE ABSTRACT, INCLUDING THE OPTIONAL ACKNOWLEDGMENT OF SUPPORT, BETWEEN THE LINES "\begin{abstract}" and
% "\end{abstract}".

\begin{abstract}
The relation between binaural and monaural loudness was measured by magnitude estimation for a $\lambda=1000$-Hz tone and for band-limited white noise. Four types of stimuli---monaural and binaural tone, monaural and binaural . . .
perfectly with earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. {\bf 57}, 55--62 (1975)] from a {\it different} group of subjects who made loudness matches between binaural and monaural stimuli. [Work supported by NSF.] \end{abstract}

% REQUIRED. Insert the number of words (not to exceed 200) in the abstract, including text of abstract and acknowledgment of support, but not including authors and title:
\numberwords{187}
% If this abstract is for a special session, insert title of session here. If invited, state "Invited."
\specialsession{Invited, Loudness and Perception}
% REQUIRED. Insert the suggested technical area:
\technicalarea{Psychological and Physiological Acoustics}
% OPTIONAL. Fill in special equipment here; only PC computers with audio playback capability and projectors, overhead projectors and laser pointers are standard equipment. Refer to A/V section for further information.
\specialequipment{VCR and monitor}
% OPTIONAL. List your preferred method of presentation:
\preferredmethod{Prefer lecture but willing to give as a poster}
%REQUIRED. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be classified (see PACS list online at http://asa.aip.org/jasa.html, in a recent June or December issue of JASA, or via ftp in the
/PACS directory of ftp.aip.org)
\PACS {43.66.Cb}
% OPTIONAL. List technical area of best paper award competition you wish to enter \paperaward{P&P}
%OPTIONAL. Certify that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering "I have complied with ASA Ethical Principles"
\hasubjects{I have complied with ASA Ethical Principles}
% OPTIONAL. To submit a revised abstract, enter the number of your original submission. For example, \resubmission{asae44}.
\resubmission{ }
\end{document}

2. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Indicate number of words in the abstract at the bottom of the sheet. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit.

3. Use the format shown in the sample abstract. The paper title and author's name, affiliation, and address should be in a heading set apart from the abstract text. The author's affiliation and address should be set within parentheses, and should be sufficiently complete to ensure delivery of the acceptance notice. If there is more than one author, give the complete address for the author who is to receive the notice. For each of the other authors, give one complete address. One email address will be included in the printed program for each abstract. This should appear immediately after the mailing address for the author whose email address is to be listed.

4. The entire abstract, consisting of the heading, text and the information requested in Section 9 below, must fit on one side of an 8½ x 11-in. or A-4 sheet of paper. The heading and text should be typed or printed double spaced (3 lines/inch), with 10 or 12-point font; but the information requested in Section 9 may be single spaced.

5. Do not use footnotes. References and acknowledgments should be set within square brackets. References should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year.

6. Underline nothing except what is to be italicized.

7. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc.

8. If the letter "I" appears as a symbol, loop the letter by hand to form a long-hand l and write "lc ell" in the margin, so as to distinguish it from the number one. If the letter "O" may be confused with the number zero, write "cap oh" in the margin. Identify phonetic symbols by appropriate marginal notes.

9. Give the following information at the bottom of the abstract, as in the sample:

a. Indicate the number of words in the body of the abstract (see item 2 above)

b. If the paper is intended for a special session, indicate the session title. If invited, state "Invited."

c. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics.

d. The name, telephone and telefax numbers (with country and city codes if outside the U.S.) and email address of the author to be contacted for information. Notices and other correspondence will be sent to the author who is listed as the first author in the heading unless stated otherwise at the bottom of the abstract.

e. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for 35mm slide projectors, VCR's and monitors or dual slide and/or overhead projection are considered special equipment. See the section on audio visual equipment for further details.

f. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation.

g. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be indexed in the braces following PACS (see the "PACS list, in a recent June or December issue of JASA or via ftp in the /PACS directory of ftp.aip.org)

h. If you want to enter your paper in one of the available Best Student Paper Award competitions.

i. Certify that you have complied with the that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering the following statement: "I have complied with ASA Ethical Principles"

Binaural loudness summation for tones and noise. Albert B. Jones, Jr. (Dept. of Psychology,

Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abj@server.edu) and Irene J.

Knox (Boston Univ., Boston, MA 02115) The relation between binaural and monaural loudness

was measured by magnitude stimation for a 1000-Hz tone and for band-limited white noise.

Four types of stimuli--monaural and binaural tone, monaural and binaural noise--were presented

frontally at eight sound pressure levels (SPL) in mixed randomly selected sequences. Subjects

were instructed to rate the four stimuli according to a single loudness scale. The loudness of the

monaural and binaural tones was found to be a power function of the mean square sound

pressure, with an exponent near 0.5. The loudness of the noise increased more rapidly at low

SPL than loudness of the tone; at high SPL it increased more slowly. The bow shape of the noise

function would be predicted from loudness matches between wide-band and narrow-band

stimuli. A sound perceived binaurally was 1.3 to 1.7 times louder than sound of the same SPL

perceived monaurally. Results of these direct loudness estimations agree almost perfectly with

earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. 57, 55-62 (1975)] from another

group of subjects who made loudness matches between binaural and monaural stimuli. [Work

supported by NSF.]

Number of words in abstract: 187
Suggested for special session on Loudness and Perception
Technical Area: Psychological and Physiological Acoustics
Special facility: VCR and 25" color monitor
PACS Subject Classification number(s): 43.66.Cb
Method of presentation: Prefer lecture but willing to give as poster
Human/Animal Subjects: "I certify that I have complied with ASA Ethical Principles"
Student Paper Competition: P&P Telephone Number: 516-576-2360 (I. J. Knox)
FAX: 516-576-2377
Send notice to: I. J. Knox
Email: ijk@server.com

MEMBERS OF THE 150th MEETING ORGANIZING COMMITTEE and NOISE-CON 2005 ORGANZINING COMMITTEE