Contributed papers are welcome in all branches of acoustics. The technical program will consist of lecture and poster sessions. Technical sessions will be scheduled Tuesday through Saturday, 27 November--1 December.
ACOUSTICAL OCEANOGRAPHY (AO)
Deep and shallow seismic sensing of geological structure in the ocean bottom
Noise and wildlife: Advances in effects research
Acoustics of modular construction
Biological effects and medical applications of stable cavitation
(Joint with Underwater Acoustics)
Applications of seismic methods to investigate geophysical processes and geological structure in the ocean bottom
Passive and active acoustic remote sensing of the physical processes in storms and intense air-sea interactions
ANIMAL BIOACOUSTICS (AB)
(Joint with Noise)
Effects of noise on wildlife
Physiological, behavioral, and anatomical studies of sound source localization
ARCHITECTURAL ACOUSTICS (AA)
(Joint with Noise and ASA Committee on Standards)
Acoustic issues concerning modular building construction
Room acoustic qualities and special challenges of rooms designed for rehearsal of music, speech, dance
Even better than the real thing-Rock, pop, and all that jazz!
(Joint with Musical Acoustics, Signal Processing in Acoustics, and Noise)
Design strategies, processing approaches, performance gestures, historical motivations, and architecture that affect music enjoyed in clubs, cars, homes, and bars
Impact and footfall noise
(Joint with Noise and Structural Acoustics and Vibration)
Evaluating footfall noise, relationship to impact noise, and remedies
Sound systems in large rooms and stadia
Case studies and issues concerning sound systems in large rooms and stadia
BIOMEDICAL ULTRASOUND/BIORESPONSE TO VIBRATION (BB)
(Joint with Physical Acoustics)
Biological effects created by stable cavitation and medical applications of stable cavitation
Broad array of ways acoustic radiation force is used in medicine and biology
Topical meeting on tissue response to acoustics and vibrations
Biological response of tissue to acoustics and vibration, including sonoporation, acoustic hemostasis, and stimulation of cell signal pathways
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Musical pitch tracking and sound source separation leading to automatic music transcription
Various aspects of automatic music transcription including F0 detection (monophonic or polyphonic), instrument spectrum matching, and instrument/voice separation
Design of distributed surveillance and oceanographic monitoring systems
(Joint with Acoustical Oceanography)
Integrated sensing, processing and control concepts for distributed acoustic sensing systems with low-bandwidth, high-latency communication infrastructure. Exploitation of environmental and situational adaptivity, and collaborative processing.
An abstract of not more than 200 words is required for each paper, whether invited or contributed. ABSTRACTS LONGER THAN 200 WORDS WILL BE EDITED OR TRUNCATED. Authors have the option to submit abstracts via the World Wide Web or by postal mail. Abstracts must be prepared in accordance with the instructions given for the submission method selected.
QUALIFICATIONS:
Taxicabs: A cab ride costs $28.00 USD from the airport to the Central Business District (CBD) for one or two persons and $12.00 USD (per passenger) for three or more passengers. Pick-up is on the lower level, outside the baggage claim area. There may be an additional charge for extra baggage. $1 fuel surcharge added to total fare.
Airport Shuttle: Shuttle service is available from the airport to the hotels in the CBD for $13.00 USD (per person, one-way) or $26.00 USD (per person, round-trip). Three bags per person. Call 1-866-596-2699 or (504) 522-3500 for more details or to make a reservation. Advance reservations are required 48 hours prior to travel for all ADA accessible transfers. Ticket booths are located on the lower level in the baggage claim area. $2 fuel surcharge added to total fare. Airport-Downtown Express (E-2) Route: The Airport-Downtown Express (E-2) provides service from the Louis Armstrong New Orleans International Airport in Kenner, down Airline Drive into New Orleans. The Airport bus stop is on the second level of the Airport, near the Delta counter, in the median (look for the sign and bench). At Carrollton at Tulane it connects with RTA's 27-Louisiana and 39-Tulane buses. (Visit the RTA website to check their current schedules.) The Airport-Downtown Express (E-2) Bus picks up outside airport Entrance #7 on the upper level. The fare for the Airport-Downtown Express (E-2) is $1.10 USD. The fare boxes will accept $1, $5, $10, $20 dollar bills and all U.S. coins. The fare boxes will provide change in the form of a value card that can be used for future fares. Automobile Rental: There are seven rental agencies with offices on the lower level of the airport. Driving Information: From Louis Armstrong International Airport: Follow I-10 East to Poydras Street, Exit #234B. Turn left on Camp Street and proceed 3 blocks to Canal Street. The hotel is located on the right corner of Canal and Camp Streets. From the East: Follow I-10 West to Canal Street, Exit #235B. Turn right on Canal Street and proceed 10 blocks to Camp Street. The hotel is located on the right corner of Canal and Camp Streets. From the South: Follow the West Bank Expressway across the Mississippi River into downtown New Orleans and exit at Camp Street. Continue on Camp Street 4 blocks to Canal Street. The hotel is located on the right corner of Canal and Camp Streets. Valet parking service is available on a first come first serve basis (spaces are limited). Vehicles are secured in a covered garage adjacent to the hotel. Overnight parking rate for cars is $26.95 plus tax.Requests should be made by postal mail, fax or e-mail, and should specify the committee's needs for space, room arrangement, furnishings, catering, and any special equipment. Reservations will not be taken by phone. Requesters should note that space is limited, and that late requests can be filled only on a space-available basis.
Anyone planning to attend the meeting who will require the use of an assistive listening device, is requested to advise the Society in advance of the meeting: Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502, asa@aip.org.
Registration fees are as follows:
Preregistration by Onsite Registration
Category 29 October
ASA Members $350 $425
ASA Members One-Day* $175 $215
Nonmembers $400 $475
Nonmembers One-Day* $200 $240
Nonmember Invited Speakers
One Day Only* $0 $0
Nonmember Invited Speakers Full Week $110 $110
(Includes one-year ASA membership
upon completion of an ASA application)
ASA Student Members
with current ID cards) $0 $25
Student Nonmembers $40 $55
(with current ID cards)
Emeritus members of ASA $50 $75
(Emeritus status pre-approved by ASA)
Accompanying Persons $50 $70
(Spouses and other registrants who
will not participate in the technical
sessions)
*One-day registration is for participants who will attend the meeting for only one day. If you will be at the meeting for more than one day either presenting a paper and/or attending sessions, you must register and pay the full registration fee.
Nonmembers who simultaneously apply for Associate Membership in the Acoustical Society of America will be given a $50 discount off their dues payment for the first year (2008) of membership. Invited speakers who are members of the Acoustical Society of America are expected to pay the registration fee, but nonmember invited speakers may register for one-day only without charge. A nonmember invited speaker who pays the full-week registration fee, will be given one free year of membership upon completion of an ASA application form.
NOTE: A $25 PROCESSING FEE WILL BE CHARGED TO THOSE WHO WISH TO CANCEL THEIR REGISTRATION AFTER 29 OCTOBER.
Instructions for the preparation and submission of abstracts on the World Wide Web are provided online.
Acknowledgment that your abstract has been accepted into the database will be issued online automatically in the form of a "Resubmission number" and PIN. PLEASE NOTE THAT UNTIL THESE HAVE BEEN ISSUED YOUR ABSTRACT HAS NOT BEEN ENTERED INTO THE DATABASE.
1. Web Abstract Submission Procedure is accessed on ASA Home Page at
http://asa.aip.org/
2. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Indicate number of words in the abstract at the bottom of the sheet. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit.
3. Use the format shown in the sample abstract. The paper title and author's name, affiliation, and address should be in a heading set apart from the abstract text. The author's affiliation and address should be set within parentheses, and should be sufficiently complete to ensure delivery of the acceptance notice. If there is more than one author, give the complete address for the author who is to receive the notice. For each of the other authors, give one complete address. One email address will be included in the printed program for each abstract. This should appear immediately after the mailing address for the author whose email address is to be listed.
4. The entire abstract, consisting of the heading, text and the information requested in Section 9 below, must fit on one side of an 8½ x 11-in. or A-4 sheet of paper. The heading and text should be typed or printed double spaced (3 lines/inch), with 10 or 12-point font; but the information requested in Section 9 may be single spaced.
5. Do not use footnotes. References and acknowledgments should be set within square brackets. References should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year.
6. Underline nothing except what is to be italicized.
7. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc.
8. If the letter "I" appears as a symbol, loop the letter by hand to form a long-hand l and write "lc ell" in the margin, so as to distinguish it from the number one. If the letter "O" may be confused with the number zero, write "cap oh" in the margin. Identify phonetic symbols by appropriate marginal notes.
9. Give the following information at the bottom of the abstract, as in the sample:
a. Indicate the number of words in the body of the abstract (see item 2 above)
b. If the paper is intended for a special session, indicate the session title. If invited, state "Invited."
c. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics.
d. The name, telephone and telefax numbers (with country and city codes if outside the U.S.) and email address of the author to be contacted for information. Notices and other correspondence will be sent to the author who is listed as the first author in the heading unless stated otherwise at the bottom of the abstract.
e. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for VCR's and monitors or dual slide and/or overhead projection are considered special equipment. See the section on audio visual equipment for further details.
f. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation.
g. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be indexed in the braces following PACS (see the "PACS list, in a recent June or December issue of JASA or via ftp in the /PACS directory of ftp.aip.org)
h. If you want to enter your paper in one of the available Best Student Paper Award competitions.
i. Certify that you have complied with the that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering the following statement: "I have complied with ASA Ethical Principles"
Binaural loudness summation for tones and noise. Albert B. Jones, Jr. (Dept. of Psychology,
Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abj@server.edu) and Irene J.
Knox (Boston Univ., Boston, MA 02115) The relation between binaural and monaural loudness
was measured by magnitude stimation for a 1000-Hz tone and for band-limited white noise.
Four types of stimuli--monaural and binaural tone, monaural and binaural noise--were presented
frontally at eight sound pressure levels (SPL) in mixed randomly selected sequences. Subjects
were instructed to rate the four stimuli according to a single loudness scale. The loudness of the
monaural and binaural tones was found to be a power function of the mean square sound
pressure, with an exponent near 0.5. The loudness of the noise increased more rapidly at low
SPL than loudness of the tone; at high SPL it increased more slowly. The bow shape of the noise
function would be predicted from loudness matches between wide-band and narrow-band
stimuli. A sound perceived binaurally was 1.3 to 1.7 times louder than sound of the same SPL
perceived monaurally. Results of these direct loudness estimations agree almost perfectly with
earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. 57, 55-62 (1975)] from another
group of subjects who made loudness matches between binaural and monaural stimuli. [Work
supported by NSF.]
Number of words in abstract: 187
Suggested for special session on Loudness and Perception
Technical Area: Psychological and Physiological Acoustics
Special facility: VCR and 25" color monitor
PACS Subject Classification number(s): 43.66.Cb
Method of presentation: Prefer lecture but willing to give as poster
Human/Animal Subjects: "I certify that I have complied with ASA Guiding Principles"
Student Paper Competition: P&P Telephone Number: 516-576-2360 (I. J. Knox)
FAX: 516-576-2377
Send notice to: I. J. Knox
Email: ijk@server.com
Fred C. DeMetz - General Chair
George E. Ioup and Juliette Ioup - Technical Program Cochairs
Sharon DeMetz/Jeanne Richardson - Food Service/Social Events
William Sanders/Dennis Lindwall - Audio-Visual
Sharon DeMetz/Jeanne Richardson - Accompanying Persons Program
Richad Keiffer/Josette Fabre - Signs
Michael D. Richardson - Meeting Room Coordinator
Guy V. Norton - Posters
Becky Rotundo - Publicity
Fred C. DeMetz - Technical Tour
Michael D. Richardson - Fellows Luncheon
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