Subject Coverage and Contents
Subject coverage includes all the topics that are typically discussed at
the Society's semiannual meetings. At the Meetings, each session is
sponsored by one of the Society's Technial Committees: Acoustical
Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical
Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical
Acoustics, Noise, Physical Acoustics, Psychological and Physiological
Acoustics, Signal Processing in Acoustics, Speech Communication,
Structural Acoustics and Vibration, and Underwater Acoustics. The
Meetings also have sessions which are sponsored by the committees on
Education and on Standards. Topics are organized according to the
principal committee which sponsored the session at which the paper was
presented.
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Information for
Authors
Proceedings of Meetings on Acoustics (POMA) is an online open-access
journal published by the Acoustical Society of America. Each article in
POMA corresponds to a paper that has previously been presented at a
meeting of the Society or at a meeting that has been cosponsored by the
Society. It is open-access, so all articles can be viewed without charge
by anyone with the capability of downloading material from the internet.
Presenters of papers at meetings are encouraged, but not required, to
submit them to POMA.
Authors of papers published in POMA need not be members of the
Acoustical Society of America. All submissions for publication must
conform with certain standards for the text and format.
Manuscripts must adhere to certain physical requisites to be acceptable
for publication in Proceedings of Meetings on Acoustics. Authors intent
on publishing in POMA should, before preparing the final manuscript,
download and study carefully Information for Contributors to
Proceedings of Meetings on Acoustics.
Only the corresponding author who submitted originally submitted the
abstract (online) for the meeting presentation can submit the written
version to POMA.
All such manuscripts should be prepared in accordance with the latest
version of the Information for Contributors document. This document
gives explicit instructions regarding the submission of manuscripts.
including the content of the transmittal letter.
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Transfer of copyright, which previously was assumed to be implicit in the act of submitting a manuscript, is necessary under the 1978 U.S. copyright law in order for ASA to continue disseminating acoustical research and applications information as widely as possible. Authors are required to agree to the transfer of copyright on an online copyright form at the time they submit their manuscripts.
Publication Charge: There is no fee for publishing an article in POMA.
Permission for Other Use: Permission is granted to quote from Proceedings of Meetings on Acoustics with the customary acknowledgment of the source. To reprint a figure, table, or other excerpt requires the consent of one of the authors and notification to AIP. Requests for Permission: Address requests to AIP Office of
Rights and Permissions, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502,
USA. Telephone: 516-576-2268; Fax: 516-576-2450; E-mail: rights@aip.org.
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Associate
Editors of Proceedings of Meetings on Acoustics
-
Acoustical Oceanogaphy
- Martin Siderius, Heat, Light and Sound Research
- Animal Bioacoustics
- Richard Fay, Parmly Hearing Institute
- Architectural Acoustics
- Ralph T. Muehleisen, Illinois Institute of Technology
- Biomedical Ultrasound/Bioresponse to Vibration
- Timothy G. Leighton, University of Southampton
- Engineering Acoustics
- Fernando Garcia-Osuna, Schlumberger
- Education in Acoustics
- Murray S. Korman, U. S. Naval Academy
- Musical Acoustics
- James W. Beauchamp, University of Illinois, Urbana-Champaign
- Noise
- Kent L. Gee, Brigham Young University
- Physical Acoustics
- Thomas J. Matula, University of Washington
- Psychological and Physiological Acoustics
- Frederick J. Gallun, Portland VA Medical Center
-
Signal Processing in Acoustics
- Sean K. Lehman, Lawrence Livermore National Laboratory
- Speech Communication
- Suzanne E. Boyce, University of Cincinnati
- Structural Acoustics and Vibration
- W. Steve Shepard, University of Alabama
- Underwater Acoustics
- Juan I. Arvelo, Jr., Johns Hopkins University
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