Contributed papers are welcome in all branches of acoustics. The technical program will consist of lecture and poster sessions.
Technical sessions will be scheduled Monday through Friday, 18–22 May 2009.
ACOUSTICAL OCEANOGRAPHY (AO)
Environmental inferences in inhomogeneous ocean environments
(Joint with Underwater Acoustics)
An integration of bioacoustics, neuronal responses, and behavior
Acoustics of green buildings(Joint with Noise)
Biomedical applications of acoustic radiation force
Methods that allow for inferences of probability distributions for values of environmental parameters in ocean waveguides that
possess strong spatial and temporal variability
Coherence scale observations, modeling, theoretical predictions, and signal processing uses/impacts
ANIMAL BIOACOUSTICS (AB)
Integration of auditory responses and characteristics with neuronal responses and with animal behavior
Use of autonomous remote sensing systems for assessing marine animal populations
Effects of noise on terrestrial animals
(Joint with ASA Committee on Standards)
Effects of anthropogenic noise on the behavior and distribution of terrestrial animals
Fish bioacoustics: Sensory biology, sound production, and
behavior of acoustic communication in fishes
Sensory biology, sound production, and behavior of acoustic communication in fishes
Signal processing techniques for subtle or complex acoustic
features of animal calls
(Joint with Signal Processing in Acoustics)
Signal processing techniques to quantify acoustic features of animal calls that historically have been difficult to extract,
such as the identity of the caller, call variants with "meta-signaling" information on emotional state, or reference to predator
type
ARCHITECTURAL ACOUSTICS (AA)
Problems, successes and approaches to acoustics in green buildings
Panel discussion from green building experts (architects, engineers, owners) covering acoustical issues
Acoustics of health and healing environments
Architectural acoustics, music, sound quality all have an impact on building IEQ and on occupant health and healing with both
conscious and subconscious actions on human comfort and performance
Acoustics of mechanical engineering in multifamily buildings(Joint with Noise)
Acoustical challenges of designing multifamily mechanical systems
Acoustics of mixed use buildings(Joint with Noise and ASA Committee on Standards)
Acoustics of buildings of mixed use such as retail/commercial with office and/or residential
Computer auralization
Current state of the art in computer model simulation and auralization
Indoor noise criteria(Joint with ASA Committee on Standards and Noise)
Current state of knowledge on indoor noise criteria, from research to case studies
Measurements and modeling of scattering effects
Methodologies and results involving experimental measurement, numerical prediction, and computational modeling of scattering effects in architectural acoustics
Multiple channel systems in room acoustics
Microphone and loudspeaker arrays for room acoustics
Outdoor performance spaces
Acoustic design of outdoor performance spaces
BIOMEDICAL ULTRASOUND/BIORESPONSE TO VIBRATION (BB)
Topics on theory and applications of acoustic radiation force in biomedicine, including imaging, tissue characterization,
therapy, and material manipulation
Use of standing waves in biomedical therapy, diagnostics, in biosensors and biomolecular acoustics
Cardiovascular applications of ultrasound contrast agents
Use of ultrasound contrast agents for the diagnosis and therapy of cardiovascular disease; especially the treatment of stroke
and thrombosis, diagnosis of inflammation and vulnerable plaque, high frequency ultrasound (IVUS) and drug delivery
Image enhancement and targeted drug and gene delivery
Research to guide and direct localized or targeted drug and gene delivery with ultrasound
Metrology and calibration of high intensity focused ultrasound
(Joint with Physical Acoustics and ASA Committee on Standards)
Characterzing the acoustic output, cavitation, and heating produced by HIFU medical devices
Shock wave therapy
(Joint with Physical Acoustics)
Research on shock waves for medical therapy
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Microphone array techniques in musical acoustics
(Joint with Engineering Acoustics)
Methods and applications of microphone arrays measuring sound fields and vibrations of musical instruments
Monostatic and bistatic detection of elastic objects near boundaries: Methodologies and tradeoffs
(Joint with Structural Acoustics and Vibration)
State of the art in monostatic and bistatic detection of elastic objects
An abstract of not more than 200 words is required for each paper, whether invited or contributed. ABSTRACTS LONGER THAN 200 WORDS WILL BE EDITED OR TRUNCATED. Authors have the option to submit abstracts via the World Wide Web or by postal mail. Abstracts must be prepared in accordance with the instructions given for the submission method selected.
Anyone planning to attend the meeting who will require the use of an assistive listening device, is requested to advise the Society in advance of the meeting: Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502, asa@aip.org.
Registration fees are as follows: Preregistration by Category 27 April Onsite Registration Acoustical Society Members $350 $425 Acoustical Society Members One-Day Attendance* $175 $215 Nonmembers $400 $475 Nonmembers One-Day Attendance* $200 $240 Nonmember Invited Speakers One-Day Attendance* Fee waived Fee waived Nonmember Invited Speakers $110 $110 (Includes one-year ASA membership upon completion of an application) ASA Early Career Associate or Full Members $175 $215 (For ASA members who transferred from ASA student member status in 2007, 2008, or 2009) ASA Student Members (with current ID cards) Fee waived $25 Nonmember Students (with current ID cards) $45 $55 Emeritus members of ASA $50 $75 (Emeritus status pre-approved by ASA) Accompanying Persons $50 $75 (Spouses and other registrants who will not participate in the technical sessions)Nonmembers who simultaneously apply for Associate Membership in the Acoustical Society of America will be given a $50 discount off their dues payment for the first year (2009) of membership. Invited speakers who are members of the Acoustical Society of America are expected to pay the registration fee, but nonmember invited speakers may register for one-day only without charge. A nonmember invited speaker who pays the full-week registration fee, will be given one free year of membership upon completion of an ASA application form. NOTE: A $25 PROCESSING FEE WILL BE CHARGED TO THOSE WHO WISH TO CANCEL THEIR REGISTRATION AFTER 27 APRIL. _________________________________ *Note: One-day registration is for participants who will attend the meeting for only one day. If you will be at the meeting for more than one day either presenting a paper and/or attending sessions, you must register and pay the full registration fee.
Instructions for the preparation and submission of abstracts on the World Wide Web are provided online.
Acknowledgment that your abstract has been accepted into the database will be issued online automatically in the form of a "Reference Code" and PIN. PLEASE NOTE THAT UNTIL THESE HAVE BEEN ISSUED ON SCREEN YOUR ABSTRACT HAS NOT BEEN ENTERED INTO THE DATABASE. You will not receive a separate e-mail acknowledgment.
1. Web Abstract Submission Procedure is accessed on ASA Home Page at http://asa.aip.org
2. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Indicate number of words in the abstract at the bottom of the sheet. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit.
3. Use the format shown in the sample abstract. The paper title and author's name, affiliation, and address should be in a heading set apart from the abstract text. The author's affiliation and address should be set within parentheses, and should be sufficiently complete to ensure delivery of the acceptance notice. If there is more than one author, give the complete address for the author who is to receive the notice. For each of the other authors, give one complete address. One email address will be included in the printed program for each abstract. This should appear immediately after the mailing address for the author whose email address is to be listed.
4. The entire abstract, consisting of the heading, text and the information requested in Section 9 below, must fit on one side of an 8½ x 11-in. or A-4 sheet of paper. The heading and text should be typed or printed double spaced (3 lines/inch), with 10 or 12-point font; but the information requested in Section 9 may be single spaced.
5. Do not use footnotes. References and acknowledgments should be set within square brackets. References should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year.
6. Underline nothing except what is to be italicized.
7. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc.
8. If the letter "I" appears as a symbol, loop the letter by hand to form a long-hand l and write "lc ell" in the margin, so as to distinguish it from the number one. If the letter "O" may be confused with the number zero, write "cap oh" in the margin. Identify phonetic symbols by appropriate marginal notes.
9. Give the following information at the bottom of the abstract, as in the sample:
a. Indicate the number of words in the body of the abstract (see item 2 above)
b. If the paper is intended for a special session, indicate the session title. If invited, state "Invited."
c. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics.
d. The name, telephone and telefax numbers (with country and city codes if outside the U.S.) and email address of the author to be contacted for information. Notices and other correspondence will be sent to the author who is listed as the first author in the heading unless stated otherwise at the bottom of the abstract.
e. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for VCR's and monitors or dual slide and/or overhead projection are considered special equipment. See the section on audio visual equipment for further details.
f. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation.
g. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be indexed in the braces following PACS (see the "PACS list, in a recent June or December issue of JASA or via ftp in the /PACS directory of ftp.aip.org)
h. If you want to enter your paper in one of the available Best Student Paper Award competitions.
i. Certify that you have complied with the that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering the following statement: "I have complied with ASA Ethical Principles"
Binaural loudness summation for tones and noise. Albert B. Jones, Jr. (Dept. of Psychology,
Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abj@server.edu) and Irene J.
Knox (Boston Univ., Boston, MA 02115)
The relation between binaural and monaural loudness
was measured by magnitude stimation for a 1000-Hz tone and for band-limited white noise.
Four types of stimuli--monaural and binaural tone, monaural and binaural noise--were presented
frontally at eight sound pressure levels (SPL) in mixed randomly selected sequences. Subjects
were instructed to rate the four stimuli according to a single loudness scale. The loudness of the
monaural and binaural tones was found to be a power function of the mean square sound
pressure, with an exponent near 0.5. The loudness of the noise increased more rapidly at low
SPL than loudness of the tone; at high SPL it increased more slowly. The bow shape of the noise
function would be predicted from loudness matches between wide-band and narrow-band
stimuli. A sound perceived binaurally was 1.3 to 1.7 times louder than sound of the same SPL
perceived monaurally. Results of these direct loudness estimations agree almost perfectly with
earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. 57, 55-62 (1975)] from another
group of subjects who made loudness matches between binaural and monaural stimuli. [Work
supported by NSF.]
Number of words in abstract: 187
Suggested for special session on Loudness and Perception
Technical Area: Psychological and Physiological Acoustics
Special facility: VCR and 25" color monitor
PACS Subject Classification number(s): 43.66.Cb
Method of presentation: Prefer lecture but willing to give as poster
Ethical Principles: "I certify that I have complied with ASA Ethical Principles"
Telephone Number: 516-576-2360 (I. J. Knox)
FAX: 516-576-2377
Send notice to: I. J. Knox
Email: ijk@server.com
I have complied with ASA Ethical Principles
Lisa M. Zurk - General Chair
Marjorie R. Leek - Technical Program Chair
James McNames - Audio/Visual
Cheryl Siderius - Food and Beverage/Social Events/Meeting Administrator
Jorge Quijano - Signs and Publicity
Michel Pinton/Cheryl Siderius - Accompanying Persons Program
Dawn Konrad-Martin - Local Outreach
Barry Ma - Green Meeting Coordinator
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