Contributed papers are welcome in all branches of acoustics. The technical program will consist of lecture and poster sessions. Technical sessions will be scheduled Monday through Friday, 5–9 June.
ACOUSTICAL OCEANOGRAPHY (AO)
Exploitation of sound by marine mammals
ANIMAL BIOACOUSTICS (AB)
Acoustic interactions in animal groups
ARCHITECTURAL ACOUSTICS (AA)
Acoustics of libraries
BIOMEDICAL ULTRASOUND/BIORESPONSE TO VIBRATION (BB)
Brown tadpoles and red herrings: Boiling inertial cavitation and nonlinearity in high intensity focused ultrasound lesion formation
Hands-on experiments for high school students
(Joint with Animal Bioacoustics)
Marine mammals are sophisticated users of sound, both self generated and the surrounding ambient. This session features research that shows examples of this behavior
(Joint with Engineering Acoustics)
Focus on acoustic sensing of natural seismic phenomena such as tsunamis, earthquakes and ocean storm events
Behaviors and physiological mechanisms associated with the challenges and advantages of acoustic signal transmission and reception in animal groups
(Joint with Acoustical Oceanography and Underwater Acoustics)
Overview of issues and findings with regard to the effects of anthropogenic sound on fish and fisheries
Is hearing all cochlear?
Examine evidence for a conserved near-field otolithic acoustic sense in amniotes including humans
Mechanisms of biosonar
(Joint with Signal Processing in Acoustics and Engineering Acoustics)
How biosonar works from the perspective of field observations, laboratory experiments and signal processing
Theory and practice of acoustical design in libraries and media centers, including study areas as well as more specialized spaces (e. g., music and film collections, multimedia rooms, etc.)
(Joint with Noise)
Room acoustics, noise and litigation issues dealing with multi-family housing
Composed spaces
(Joint with Musical Acoustics and Engineering Acoustics)
Surround sound compositions in which space (real or created) is part of the art
Composed spaces loudspeaker concert
(Joint with Musical Acoustics and Engineering Acoustics)
Experience works by invited composers in a continuous concert in a dedicated room open to all ASA attendees
Microperforated acoustical absorbing materials
(Joint with Noise, Physical Acoustics and Engineering Acoustics)
Theory, manufacture and applications of microperforated acoustical absorbing materials
Spaces of worship–Another quarter century of experience (1984-present)
Poster session for spaces of worship
Special session in honor of John Kopec
Session in memory of John Kopec
Surround sound essentials
A unique opportunity to take advantage of a high-quality loudspeaker installation to investigate (and possibly give direction to) various parameters that are important in the design of "surround sound" studios and listening rooms
A forum to focus on the debate on the relative importance of nonlinearity in high intensity focused ultrasound lesion formation
Will relate to and honor the work of Dr. Edwin L. Carstensen
Memorial session for Frederic Lizzi
Honoring the career and life of Frederic L. Lizzi
Sensing and imaging using light and sound
(Joint with Physical Acoustics and Signal Processing in Acoustics)
Devoted to sensing and imaging using various combinations of optical and acoustical energy
Targeted contrast agents
Will focus on the use of agents that target specific sites in the body and are activated by ultrasound to produce therapeutic effect
EDUCATION IN ACOUSTICS (ED)
Twenty stations will be staffed by scientists and graduate students for high school students hands-on experience
Courses and programs for students and professionals in the health services
Undergraduate research poster session
Undergraduate students will present their research in poster format and will be available during the session to explain their work
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Human-computer interfaces
(Joint with Engineering Acoustics and Signal Processing in Acoustics)
Design of input devices and control displays for electronic and computer music applications
Audio-visual design in soundscapes
(Joint with Architectural Acoustics)
Audio-visual soundscape theory, measurement and design practice, including field testing demonstrations
Acoustic microscopy at the nanoscale
Focused on acoustic methods in the broadest sense, including modeling and experiments, for characterization of materials with sub-micron length scales
Adjoint modeling in acoustics
(Joint with Underwater Acoustics and Acoustical Oceanography)
Adjoint methods are used for data assimilation, model tuning and sensitivity analysis in many fields. Brings together research in areas related to adjoint modeling, such as inverse scattering, shape reconstruction, optimal design, diffraction tomography and ocean acoustic tomography
High frequency acoustic propagation and applications
The impacts of ocean processes on high frequency underwater acoustic propagation and their application to tomography and acoustic communications
An abstract of not more than 200 words is required for each paper, whether invited or contributed. ABSTRACTS LONGER THAN 200 WORDS WILL BE EDITED OR TRUNCATED. Authors have the option to submit abstracts via the World Wide Web, by electronic template, or by postal mail. Abstracts must be prepared in accordance with the instructions given for the submission method selected.
QUALIFICATIONS:
Anyone planning to attend the meeting who will require the use of an assistive listening device, is requested to advise the Society in advance of the meeting: Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502, asa@aip.org.
Registration fees are as follows:
Preregistration by Registration after
Category 8 May 8 May
ASA Members $350 $425
ASA Members One-Day $175 $215
Nonmembers $400 $475
Nonmembers One-Day $200 $240
Nonmember Invited Speakers
One Day Only $0 $0
Nonmember Invited Speakers Full Week $110 $110
(Includes one-year ASA membership
upon completion of an ASA application)
ASA Student Members
with current ID cards) $0 $0
Student Nonmembers $40 $50
(with current ID cards)
Emeritus members of ASA $50 $75
(Emeritus status pre-approved by ASA)
Accompanying Persons $50 $70
(Spouses and other registrants who
will not participate in the technical
sessions)
Nonmembers who simultaneously apply for Associate Membership in the Acoustical Society of America will be given a $50 discount off their dues payment for the first year (2006) of membership. Invited speakers who are members of the Acoustical Society of America are expected to pay the registration fee, but nonmember invited speakers may register for one-day only without charge. A nonmember invited speaker who pays the full-week registration fee, will be given one free year of membership upon completion of an ASA application form.
NOTE: A $25 PROCESSING FEE WILL BE CHARGED TO THOSE WHO WISH TO CANCEL THEIR REGISTRATION AFTER 8 MAY.
Instructions for the preparation and submission of abstracts on the World Wide Web are provided online.
Acknowledgment that your abstract has been accepted into the database will be issued online automatically in the form of a "Resubmission number" and PIN. PLEASE NOTE THAT UNTIL THESE HAVE BEEN ISSUED YOUR ABSTRAC HAS NOT BEEN ENTERED INTO THE DATABASE.
1. Web Abstract Submission Procedure is accessed on ASA Home Page at
http://asa.aip.org/
The files will be emailed back to you with the filename for each message in the first line of the body of the message. Delete the e-mail headers (and the line that gives you the name of the file) and save each message using the correct filename given on the first line in the body of the file.
4. Avoid the following common errors: a) inserting line breaks in a line after the comment character, i.e., %; b) deleting the third pair of braces in the \author command, putting your full name in the first pair of braces, or using only one \author command for more than one author; c) submitting compressed or encoded abstracts or sending abstracts as an attachment; d) unbalanced braces or unmatched math delimiters; e) leaving blank lines in the abstract or \affil input; f) including more than one abstract in a single email submission; g) inputting & or % when meaning to produce the symbols "&" or "%" (\& and \% should be used); h) misspelling \affil as \afill; i) adding header or tailer information to the template; j) not filling in all "REQUIRED" commands. 5. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc. 6. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit. 7. Do not use footnotes for references or acknowledgments. References or acknowledgments should be set within square brackets. Reference should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year. Only set footnotes for present addresses, use \thanks to set such footnotes and they will appear at the end of the abstract. 8. Provide the following information in the correct places in the template: a. Complete mailing address for the corresponding author, i.e., the author who should receive the acceptance notice. b. Authors' names, affiliations and addresses. One email address will be included in the printed program for each abstract. This should be entered immediately after the mailing address for the author whose email address is to be listed. c. Number of words in the body of the abstract. Indicate number of words in the abstract in the braces following \numberwords. d. If the paper is intended for a special session, indicate the session in the braces following \specialsession. If invited, state "Invited." For example, \specialsession{Invited, Loudness and Perception}. e. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper in the braces following \technicalarea. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics. f. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for 35 mm slide projection, VCR's and monitors or dual slide and/or overhead projection are considered special equipment. Refer to the section on "Special Equipment" on page 8 for further details. Refer to the section on Special Equipment for further details. g. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation. h. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be identified in the braces following PACS%Sample submitted abstract for the meeting.
% Everything after a percent sign is ignored in the submission; it is treated as a comment.
\documentstyle[11pt,pasaabs]{article}
\nofiles
% PLEASE LEAVE THE FOLLOWING COMMANDS ALONE; don't change them at all.
They will be determined by the ASA Program Organizing Committee
% and are required by the ASA Program typesetting translation software.
\aipid{ } % AIP id for SPIN database entry
\time{ } % Time of presentation
\abstractid{ } % The abstract identifier as it will appear in print
% Except for the abstract text, information should be entered between the curly braces { }. Optional comments that are now commented (follow a ''%''
% should be uncommented (delete the ''%'' sign) before use. You may return to a new line when entering long information (e.g., an affiliation). Please refer
% to the separate instructions if you have any questions (e.g., how to enter accent marks, mathematical symbols, bold face, etc.).
%
% Here is the information for the corresponding author. This information is used for contact only, it is NOT used for publication purposes.
\correspondingauthor{I.J. Knox} % REQUIRED
\correspondingaddress{2322 Harvardshire Path, Cambridge, MA 02122}
\correspondingphone{202-328-2010} % REQUIRED,
\correspondingemail{knox@icarus.bu.edu} % REQUIRED
\correspondingfax{202-555-1234} % OPTIONAL
\begin{document}
% Enter the title here. It should be initial capital only.
\title{Binaural loudness summation for tones and noise}
% For each institution enter one or more \author commands, then enter the \affil command. Just cut and paste the commands (either \author or \affil), and
% fill in, for more author(s) and affiliations. For each author, enter the first name and middle initial in the first braces; last name in middle braces; and Jr.,
% III, etc. in the last braces. Leave braces empty as needed. One email address will be included for each paper in the printed program. The address should be inserted immediately after the mailing address for the author whose email address is to be listed.
%
% REQUIRED, enter author(s) here as first name and middle initial, last name, and other (e.g., Jr.):
\author{Albert B.}{Jones}{Jr.}
% REQUIRED, for preceding author(s). Use standard abbreviations.
\affil{Dept. of Psychology, Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abjones@ne.edu}
\author{Irene J.}{Knox}{ }
\author{William F.}{Kinoo}{ }
\affil{Dept. of Psychology, Boston Univ., Boston, MA 02115}
%Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted."
% INSERT THE ABSTRACT, INCLUDING THE OPTIONAL ACKNOWLEDGMENT OF SUPPORT, BETWEEN THE LINES "\begin{abstract}" and
% "\end{abstract}".
\begin{abstract}
The relation between binaural and monaural loudness was measured by magnitude estimation for a $\lambda=1000$-Hz tone and for band-limited white noise. Four types of stimuli---monaural and binaural tone, monaural and binaural . . .
perfectly with earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. {\bf 57}, 55--62 (1975)] from a {\it different} group of subjects who made loudness matches between binaural and monaural stimuli. [Work supported by NSF.] \end{abstract}
% REQUIRED. Insert the number of words (not to exceed 200) in the abstract, including text of abstract and acknowledgment of support, but not including authors and title:
\numberwords{187}
% If this abstract is for a special session, insert title of session here. If invited, state "Invited."
\specialsession{Invited, Loudness and Perception}
% REQUIRED. Insert the suggested technical area:
\technicalarea{Psychological and Physiological Acoustics}
% OPTIONAL. Fill in special equipment here; only PC computers with audio playback capability and projectors, overhead projectors and laser pointers are standard equipment. Refer to A/V section in Call for Papers.
\specialequipment{CD player}
% OPTIONAL. List your preferred method of presentation:
\preferredmethod{Prefer lecture but willing to give as a poster}
%REQUIRED. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be classified (see PACS list online at http://asa.aip.org/jasa.html, in a recent June or December issue of JASA, or via ftp in the
/PACS directory of ftp.aip.org)
\PACS {43.66.Cb}
% OPTIONAL. List technical area of best paper award competition you wish to enter \paperaward{P&P}
%OPTIONAL. Certify that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering "I have complied with ASA Ethical Principles"
\hasubjects{I have complied with ASA Ethical Principles}
% OPTIONAL. To submit a revised abstract, enter the number of your original submission. For example, \resubmission{asae44}.
\resubmission{ }
\end{document}
2. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Indicate number of words in the abstract at the bottom of the sheet. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit.
3. Use the format shown in the sample abstract. The paper title and author's name, affiliation, and address should be in a heading set apart from the abstract text. The author's affiliation and address should be set within parentheses, and should be sufficiently complete to ensure delivery of the acceptance notice. If there is more than one author, give the complete address for the author who is to receive the notice. For each of the other authors, give one complete address. One email address will be included in the printed program for each abstract. This should appear immediately after the mailing address for the author whose email address is to be listed.
4. The entire abstract, consisting of the heading, text and the information requested in Section 9 below, must fit on one side of an 8½ x 11-in. or A-4 sheet of paper. The heading and text should be typed or printed double spaced (3 lines/inch), with 10 or 12-point font; but the information requested in Section 9 may be single spaced.
5. Do not use footnotes. References and acknowledgments should be set within square brackets. References should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year.
6. Underline nothing except what is to be italicized.
7. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc.
8. If the letter "I" appears as a symbol, loop the letter by hand to form a long-hand l and write "lc ell" in the margin, so as to distinguish it from the number one. If the letter "O" may be confused with the number zero, write "cap oh" in the margin. Identify phonetic symbols by appropriate marginal notes.
9. Give the following information at the bottom of the abstract, as in the sample:
a. Indicate the number of words in the body of the abstract (see item 2 above)
b. If the paper is intended for a special session, indicate the session title. If invited, state "Invited."
c. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics.
d. The name, telephone and telefax numbers (with country and city codes if outside the U.S.) and email address of the author to be contacted for information. Notices and other correspondence will be sent to the author who is listed as the first author in the heading unless stated otherwise at the bottom of the abstract.
e. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for 35mm slide projectors, VCR's and monitors or dual slide and/or overhead projection are considered special equipment. See the section on audio visual equipment for further details.
f. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation.
g. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be indexed in the braces following PACS (see the "PACS list, in a recent June or December issue of JASA or via ftp in the /PACS directory of ftp.aip.org)
h. If you want to enter your paper in one of the available Best Student Paper Award competitions.
i. Certify that you have complied with the that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering the following statement: "I have complied with ASA Ethical Principles"
Binaural loudness summation for tones and noise. Albert B. Jones, Jr. (Dept. of Psychology,
Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abj@server.edu) and Irene J.
Knox (Boston Univ., Boston, MA 02115) The relation between binaural and monaural loudness
was measured by magnitude stimation for a 1000-Hz tone and for band-limited white noise.
Four types of stimuli--monaural and binaural tone, monaural and binaural noise--were presented
frontally at eight sound pressure levels (SPL) in mixed randomly selected sequences. Subjects
were instructed to rate the four stimuli according to a single loudness scale. The loudness of the
monaural and binaural tones was found to be a power function of the mean square sound
pressure, with an exponent near 0.5. The loudness of the noise increased more rapidly at low
SPL than loudness of the tone; at high SPL it increased more slowly. The bow shape of the noise
function would be predicted from loudness matches between wide-band and narrow-band
stimuli. A sound perceived binaurally was 1.3 to 1.7 times louder than sound of the same SPL
perceived monaurally. Results of these direct loudness estimations agree almost perfectly with
earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. 57, 55-62 (1975)] from another
group of subjects who made loudness matches between binaural and monaural stimuli. [Work
supported by NSF.]
Number of words in abstract: 187
Suggested for special session on Loudness and Perception
Technical Area: Psychological and Physiological Acoustics
Special facility: VCR and 25" color monitor
PACS Subject Classification number(s): 43.66.Cb
Method of presentation: Prefer lecture but willing to give as poster
Human/Animal Subjects: "I certify that I have complied with ASA Guiding Principles"
Student Paper Competition: P&P Telephone Number: 516-576-2360 (I. J. Knox)
FAX: 516-576-2377
Send notice to: I. J. Knox
Email: ijk@server.com
James H. Miller, General Chair
James F. Lynch, Technical Program Chair
Gail Paolino, Food Service/Social Events/Meeting Administrator
Peter M. Scheifele, Audio-Visual
James A. Simmons and Andrea M. Simmons, Accompanying Persons Program/Cultural Attaché
John R. Buck, Signs/Publicity
David Moretti, Technical Tour
Gopu R. Potty, Meeting Room Coordinator
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