Contributed papers are welcome in all branches of acoustics. The technical program will consist of lecture and poster sessions. Technical sessions will be scheduled Monday through Friday, 4–8 June.
ACOUSTICAL OCEANOGRAPHY (AO)
Acoustics of bubble clouds
ANIMAL BIOACOUSTICS (AB)
Paleohearing
ARCHITECTURAL ACOUSTICS (AA)
Advancements in speech privacy
BIOMEDICAL ULTRASOUND/BIORESPONSE TO VIBRATION (BB)
Acceleration of blood clot dissolution with ultrasound
(Joint with Physical Acoustics)
Effects of collective bubble oscillations in the ocean
(Joint with Underwater Acoustics, Engineering Acoustics and Signal Processing in Acoustics)
Hank Medwin memorial session
(Joint with Physical Acoustics and Underwater Acoustics)
Contributions and influence of Hank Medwin in using acoustics to understand physical processes in the ocean
Inferring hearing function using fossil evidence
Behavior, physiology, and physics of the seismic communication channels used by animals
(Joint with Noise, Speech Communication and ASA Committee on Standards)
Advancements in standards, measuring designing for, and reporting speech privacy in the built environment
(Joint with Musical Acoustics)
How rooms for organ performance and organs interact
In situ measurements of absorption coefficients
(Joint with Noise, Engineering Acoustics and ASA Committee on Standards)
Current and new methods of making in situ measurements of absorption coefficients
Knudsen lecture
(Joint with Noise)
Theater crawl
Technical tour of theaters, auditoria, and concert halls in Salt Lake City
Troubleshooting in room acoustics
Identifying and correcting acoustical problems in listening environments
Workshop for AIA CEU presentation
Training and qualification process for delivery of AIA accredited presentation
Results of efforts to use ultrasound to dissolve blood clots
Applications of and techniques for acoustic radiation force imaging in medicine
Bioresponse to vibration on the stage
Effects of performing arts practices and facilities in theater, dance, and music on performers
Coded excitation
Methods of electrical excitation (e. g., frequency chirps) of transducers to improve medical imaging or therapy
Modeling of acoustic cavitation in-vivo
Calculation and simulation of acoustic cavitation in biological tissue
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Choral singing
Acoustics of the singing voice in the context of large vocal ensembles, and signal analysis properties of choirs
Engineering noise control for the mining industry
Measurements, strategies, further planning
Academic geneology poster session
(Joint with Education in Acoustics)
Show us your siblings (fellow graduate students), parents (thesis advisor, committee members), grandparents ( their advisors), as well as those from your post-graduate careers (post-doc advisor, your current and former graduate students) and show where they have gone, who they begot, etc. "Come to the session and discover long-lost members of your academic family"
Acoustic signal processing: Signal processing and uncertainty
(Joint with Acoustical Oceanography and Underwater Acoustics)
Effects of randomness and uncertainty to performance of detection and classification
Passive imaging and monitoring using random wavefields
(Joint with Acoustical Oceanography)
Theoretical and experimental studies of the propagating medium using coherent processing of random wavefields (ambient noise, scattered fields, sources of opportunity)
An abstract of not more than 200 words is required for each paper, whether invited or contributed. ABSTRACTS LONGER THAN 200 WORDS WILL BE EDITED OR TRUNCATED. Authors have the option to submit abstracts via the World Wide Web or by postal mail. Abstracts must be prepared in accordance with the instructions given for the submission method selected.
QUALIFICATIONS:
Anyone planning to attend the meeting who will require the use of an assistive listening device, is requested to advise the Society in advance of the meeting: Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502, asa@aip.org.
Registration fees are as follows:
Preregistration by Onsite Registration
Category 7 May
ASA Members $350 $425
ASA Members One-Day $175 $215
Nonmembers $400 $475
Nonmembers One-Day $200 $240
Nonmember Invited Speakers
One Day Only $0 $0
Nonmember Invited Speakers Full Week $110 $110
(Includes one-year ASA membership
upon completion of an ASA application)
ASA Student Members
with current ID cards) $0 $25
Student Nonmembers $40 $50
(with current ID cards)
Emeritus members of ASA $50 $75
(Emeritus status pre-approved by ASA)
Accompanying Persons $50 $70
(Spouses and other registrants who
will not participate in the technical
sessions)
Nonmembers who simultaneously apply for Associate Membership in the Acoustical Society of America will be given a $50 discount off their dues payment for the first year (2007) of membership. Invited speakers who are members of the Acoustical Society of America are expected to pay the registration fee, but nonmember invited speakers may register for one-day only without charge. A nonmember invited speaker who pays the full-week registration fee, will be given one free year of membership upon completion of an ASA application form.
NOTE: A $25 PROCESSING FEE WILL BE CHARGED TO THOSE WHO WISH TO CANCEL THEIR REGISTRATION AFTER 7 MAY.
Instructions for the preparation and submission of abstracts on the World Wide Web are provided online.
Acknowledgment that your abstract has been accepted into the database will be issued online automatically in the form of a "Resubmission number" and PIN. PLEASE NOTE THAT UNTIL THESE HAVE BEEN ISSUED YOUR ABSTRAC HAS NOT BEEN ENTERED INTO THE DATABASE.
1. Web Abstract Submission Procedure is accessed on ASA Home Page at
http://asa.aip.org/
2. Limit abstract to 200 words. Count each word in the body of the abstract but do not count title or authors' names and addresses. Indicate number of words in the abstract at the bottom of the sheet. Displayed equations that are set apart from the text count as 40 words. The Program Organizing Committee has the option to alter abstracts to bring them into compliance with the 200-word limit.
3. Use the format shown in the sample abstract. The paper title and author's name, affiliation, and address should be in a heading set apart from the abstract text. The author's affiliation and address should be set within parentheses, and should be sufficiently complete to ensure delivery of the acceptance notice. If there is more than one author, give the complete address for the author who is to receive the notice. For each of the other authors, give one complete address. One email address will be included in the printed program for each abstract. This should appear immediately after the mailing address for the author whose email address is to be listed.
4. The entire abstract, consisting of the heading, text and the information requested in Section 9 below, must fit on one side of an 8½ x 11-in. or A-4 sheet of paper. The heading and text should be typed or printed double spaced (3 lines/inch), with 10 or 12-point font; but the information requested in Section 9 may be single spaced.
5. Do not use footnotes. References and acknowledgments should be set within square brackets. References should be in standard JASA format, viz., in the sequence: authors, abbreviated journal name, volume number, first and last page numbers, and year.
6. Underline nothing except what is to be italicized.
7. Use passives instead of pronouns "I" and "we," e.g., "It was noted" instead of "We noted." Avoid use of non-standard abbreviations in abstract title. For example, use dB or Hz but avoid use of abbreviations which are not used across many technical areas such as HRTF, NDE, etc.
8. If the letter "I" appears as a symbol, loop the letter by hand to form a long-hand l and write "lc ell" in the margin, so as to distinguish it from the number one. If the letter "O" may be confused with the number zero, write "cap oh" in the margin. Identify phonetic symbols by appropriate marginal notes.
9. Give the following information at the bottom of the abstract, as in the sample:
a. Indicate the number of words in the body of the abstract (see item 2 above)
b. If the paper is intended for a special session, indicate the session title. If invited, state "Invited."
c. Choose and list the Technical Committee most nearly coinciding with the subject matter of the paper. Current Technical Committees are: Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Ultrasound/Bioresponse to Vibration, Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Psychological and Physiological Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration and Underwater Acoustics.
d. The name, telephone and telefax numbers (with country and city codes if outside the U.S.) and email address of the author to be contacted for information. Notices and other correspondence will be sent to the author who is listed as the first author in the heading unless stated otherwise at the bottom of the abstract.
e. Describe special equipment desired for the presentation other than a PC computer with audio playback capability and projector, overhead projector or laser pointer. Note that facilities for VCR's and monitors or dual slide and/or overhead projection are considered special equipment. See the section on audio visual equipment for further details.
f. Indicate a preference (if any) for lecture or poster presentation. If only a lecture presentation is desired, state "Lecture Only," in which case the paper may not be accepted if time is not available. Contributed papers in Speech Communication are encouraged to be submitted for poster presentation.
g. List one complete PACS subject classification number including letters (for example, 43.28.Ae) under which the abstract should be indexed in the braces following PACS (see the "PACS list, in a recent June or December issue of JASA or via ftp in the /PACS directory of ftp.aip.org)
h. If you want to enter your paper in one of the available Best Student Paper Award competitions.
i. Certify that you have complied with the that you have complied with the Ethical Principles of the Acoustical Society of America for Research Involving Human and Non-Human Animals in Research and Publishing and Presentations by entering the following statement: "I have complied with ASA Ethical Principles"
Binaural loudness summation for tones and noise. Albert B. Jones, Jr. (Dept. of Psychology,
Northeastern Univ., 1600 Massachusetts Ave., Boston, MA 02115, abj@server.edu) and Irene J.
Knox (Boston Univ., Boston, MA 02115) The relation between binaural and monaural loudness
was measured by magnitude stimation for a 1000-Hz tone and for band-limited white noise.
Four types of stimuli--monaural and binaural tone, monaural and binaural noise--were presented
frontally at eight sound pressure levels (SPL) in mixed randomly selected sequences. Subjects
were instructed to rate the four stimuli according to a single loudness scale. The loudness of the
monaural and binaural tones was found to be a power function of the mean square sound
pressure, with an exponent near 0.5. The loudness of the noise increased more rapidly at low
SPL than loudness of the tone; at high SPL it increased more slowly. The bow shape of the noise
function would be predicted from loudness matches between wide-band and narrow-band
stimuli. A sound perceived binaurally was 1.3 to 1.7 times louder than sound of the same SPL
perceived monaurally. Results of these direct loudness estimations agree almost perfectly with
earlier results [D.E. McGee and I.J. Knox, J. Acoust. Soc. Am. 57, 55-62 (1975)] from another
group of subjects who made loudness matches between binaural and monaural stimuli. [Work
supported by NSF.]
Number of words in abstract: 187
Suggested for special session on Loudness and Perception
Technical Area: Psychological and Physiological Acoustics
Special facility: VCR and 25" color monitor
PACS Subject Classification number(s): 43.66.Cb
Method of presentation: Prefer lecture but willing to give as poster
Human/Animal Subjects: "I certify that I have complied with ASA Guiding Principles"
Student Paper Competition: P&P Telephone Number: 516-576-2360 (I. J. Knox)
FAX: 516-576-2377
Send notice to: I. J. Knox
Email: ijk@server.com
Scott D. Sommerfeldt, General Chair
Timothy W. Leishman, Technical Program Chair
Tracianne B. Neilsen, Food Service/Social Events/Meeting Administrator
Kent L. Gee, Craig C. Smith, Audio-Visual
Lisa B. Sommerfeldt, Accompanying Persons Program
Scott L. Thomson, Signs/Publicity
Benjamin M. Faber, Technical Tour
Jonathan D. Blotter, Posters
Scott D. Sommerfeldt, Meeting Room Coordinator
William J. Strong, Fellows Luncheon
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