The 161st Meeting of the Acoustical Society of America

The 161st Meeting of the Acoustical Society of America

ANNOUNCEMENT AND CALL FOR PAPERS

23--27 May 2011
Seattle, Washington

TABLE OF CONTENTS

Meeting Committee

Technical Program and Special Sessions

Other Technical Events
Hot Topics
Student Design Competition
Open Meetings of Technical Committees
Gallery of Acoustics
Online Meeting Papers
Proceedings of Meetings on Acoustics
Meeting Program
Abstract Submission Guidelines

Audio-Visual and Special Equipment
Audio-Visual Equipment
Special Equipment, Computer Equipment and Software
Poster Session Boards
Projection Guidelines for Authors
Audio/Visual Preview Room

ASA Best Paper Awards for Students and Young Presenters
Tutorial Lecture on Shedding Light on Medical Ultrasound: The Combined Use of Light and Sound for Imaging and Therapy
Short Course on Active Noise Control
Acoustic Challenges in Aquatic Ecosystem Assessment Workshop
Special Meeting Features
Student Transportation Subsidies
Young Investigator Travel Grant
Students Meet Members for Lunch
Plenary Session, Awards Ceremony, Society Lecture and Luncheon, and Social Events
Women in Acoustics Luncheon
Transportation and Travel Information
Air Transportation
Ground Transportation
Hotel Reservation Information
General Information
Committee Meetings
Assistive Listening Devices
Accompanying Persons Program
Registration Information
Acoustic Challenges in Aquatic Ecosystem Assessment Registration
ASA Online Meeting Abstract Procedures


TECHNICAL PROGRAM AND SPECIAL SESSIONS

Contributed papers are welcome in all branches of acoustics. The technical program will consist of lecture and poster sessions. Technical sessions will be scheduled Monday through Friday, 23–27 May 2011.

Every effort will be made to schedule contributed abstracts in accordance with author and Technical Committee preferences. However, authors should be prepared to accept assignment to poster sessions. Assignments will take into account: a) author preference, b) program balance, and c) Technical Committee instructions. Abstracts will be rejected if they do not comply with the instructions.

The special sessions described below will be organized by the Technical Program Committee. Authors of invited papers must indicate on their abstracts the title of the special session in which they have been invited to participate. Authors of contributed papers have the option to request placement of their abstracts in these sessions. If no special session placement is requested, contributed papers will be scheduled in sessions with abstracts of similar technical content.

SPECIAL SESSIONS

ACOUSTICAL OCEANOGRAPHY (AO)

Integrating Ocean and Acoustic Observations With Models
(Joint with Underwater Acoustics)
Organized by: James F. Lynch
Results from both the forward and inverse problems in acoustics can be significantly improved by the inclusion of information in ocean models be they physical, oceanographic, geologic, or biologic. Session will concentrate on the combination of acoustics with ocean models at all frequencies and ocean scales

Ocean Observing Systems: Acoustical Observations and Applications
(Joint with Underwater Acoustics and Animal Bioacoustics)
Organized by: Brian D. Dushaw, Timothy F. Duda
Passive and active acoustic methods can be employed for long-term, sustained observations of physical, chemical, and biological processes within Global and Regional Ocean Observing Systems. Such observations offer valuable, unique information about the state of the oceans not obtainable by other means. Modest, cost-effective instruments can be shared to serve a variety of multidisciplinary purposes

ANIMAL BIOACOUSTICS (AB)

Active Acoustic Applications to Bioacoustics Research
(Joint with Acoustical Oceanography)
Organized by: Elizabeth T. Kusel
Use of active acoustic techniques in bioacoustics research: advantages, disadvantages, capabilities, operational characteristics, new directions

Ambient Noise and Marine Mammals
(Joint with Noise and Underwater Acoustics)
Organized by: Michael B. Porter, Christian P. de Moustier
Shipping noise: Trends, effects on animals, modeling, and effects of environmental conditions including acidification

Fish Bioacoustics
(Joint with Acoustical Oceanography and Underwater Acoustics)
Organized by: Richard R. Fay, Joseph A. Sisneros
Fish bioacoustics, sound source localization, and noise effects on fishes

Killer Whale Acoustics
(Joint with Acoustical Oceanography)
Organized by: David K. Mellinger
Acoustics of killer whales and their prey

Long-Term and Cumulative Effects of Sound on Animals, Including Acoustic and Non-Acoustic Stressors
Organized by: Christine Erbe
Effects on terrestrial and marine animals from long-term acoustic exposure; interaction of acoustic and non-acoustic stressors; cumlative effects on animals

Marine Mammal Depredation
Organized by: Aaron M. Thode
Passive and active studies of deliberate interactions of marine mammals with fishing gear, including acoustic deterrence

Memorial Session in Honor of Ronald Schusterman and David Kastak
Organized by: Whitlow W. L. Au, Colleen Reichmuth
Psychological and biological acoustics in animals

Use of Sound Propagation Modeling as a Tool in Bioacoustic Studies
(Joint with Underwater Acoustics)
Organized by: Elizabeth T. Kusel, Jon Collis
Applications of sound propagation modeling to bioacoustics research, as for example its use in localization and tracking, and the complexities associated with modeling, including model types, inputs, and frequencies

ARCHITECTURAL ACOUSTICS (AA)

Acoustics of Green Buildings
(Joint with Noise)
Organized by: David M. Sykes, Brandon D. Tinianov, Ralph T. Muehleisen
Continuation of the discussion of noise problems in green buildings with special focus on the new acoustics credits and how the LEED Rating System affects consultants

Acoustics of Healthcare Spaces
Organized by: Kenneth P. Roy, Erica E. Ryherd
The acoustics of healthcare facilities are important relative to health and healing aspects, speech intelligibility for error avoidance, and speech privacy for the protection of confidential information

Computational Methods for Auralization in Air and Under Water
(Joint with Underwater Acoustics)
Organized by: Jason E. Summers, Michael Vorländer
Presentations on algorithms and techniques for real-time computational simulation of acoustic time-series both in air and under water

Developments in Plumbing Noise Control
(Joint with Noise)
Organized by: David L. Adams
Plumbing noise is a serious problem in many multi-family projects

Memorial Session for Manfred R. Schroeder
(Joint with Signal Processing in Acoustics, Engineering Acoustics, Musical Acoustics and Speech Communication)
Organized by: Ning Xiang, Gerhard M. Sessler
Schroeder's contributions to many fields of acoustics

Quantitative and Qualitative Effects of Diffusion in Rooms
Organized by: Jonathan Botts, Peter D'Antonio
Topics encompass quantitative, measurable, and subjective effects of diffusive and scattering surfaces and forms of rooms

Soundscape: Standardization and Implementation
(Joint with Noise and ASA Committee on Acoustics)
Organized by: Bennett M. Brooks, Gary W. Siebein
Latest developments in soundscape analysis, standardization, and methodology

Speech Privacy
(Joint with Noise)
Organized by: Eric L. Reuter
Latest developments in speech privacy research, standards, and legislation

Towards a Benchmark in Computational Room Acoustics
Organized by: Alexander C. Bockman, Jason E. Summers
A number of competing methods exist for the prediction of acoustic parameters that describe the performance of a space. This session moves to define a set of benchmarks against which the methods may be tested for accuracy and efficiency.

25th Anniversary of Newman Fund Awards - Recipient and Participating School Updates
Organized by: Michelle C. Vigeant, Carl J. Rosenberg
A celebration for the 25th anniversary of the Newman Fund Awards, to both honor past recipients and acknowledge participating university programs

BIOMEDICAL ACOUSTICS (BA)

High Intensity Focused Ultrasound (HIFU) Induced Thermal Lesion Imaging with Ultrasound
(Joint with Physical Acoustics)
Organized by: Lawrence A. Crum, Vera Khokhlova
Magnetic resonance is effective for determining thermal lesion evolution; however, ultrasound techniques are attractive due to low cost and real-time capabilities. This session will deal with various ultrasound techniques to monitor temperature as well as the temporal and spatial evolution of HIFU-induced thermal lesions

Medical Acoustics in Urology
Organized by: Michael L. Bailey, Robin O. Cleveland
Characterization, mechanism of action, safety, and efficacy of acoustic medical therapies and diagnosis in urology, such as shock lithotripsy, ultrasound imaging, and high intensity focused ultrasound

Metrology of High Intensity Ultrasound
(Joint with ASA Committee on Standards)
Organized by: Peter Kaczkowski, Gail ter Haar
Instrumentation and methods of measuring intense ultrasound fields, calibration of transducers and systems, visualization of ultrasonic fields, development of standards, and regulatory issues. Reports of advancements in physical and medical acoustics are welcome

Photons and Phonons: Diagnostic and Therapeutic Applications
(Joint with Physical Acoustics)
Organized by: Ronald H. Silverman, Parag V. Chitnis
Combined optical and acoustic techniques such as photoacoustics (optoacoustics) and acousto-optics for imaging (diagnostic, molecular, functional) and therapy (treatment planning, guidance, monitoring, targeted therapy)

Tissue Erosion Techniques in Therapeutic Ultrasound
(Joint with Physical Acoustics)
Organized by: Vera Khokhlova, Lawrence A. Crum
Ultrasound methods to produce mechanical erosion of tissue or histotrispy without a significant thermal effect. The methods include both MHz range high intensity focused ultrasound and kHz ultrasound applied to surgical instruments

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EDUCATION IN ACOUSTICS (ED)

Effective Communication Between Scientists and the Media
(Joint with Public Relations and ASA Student Council)
Organized by: Andy A. Piacsek, Brenda L. Lonsbury-Martin
Challenges and pitfalls encountered by scientists when describing their research to the news media. Panel discussion will follow

Listen Up and Get Involved
(Joint with Women in Acoustics)
Organized by: Marcia J. Isakson, Tracianne B. Neilsen
Acoustic demonstrations for middle- and high-school age Girl Scouts

Teaching Acoustics with Low Cost Materials and Homemade Instruments
(Joint with Diversity Committee)
Organized by: Andrew C. Morrison, James M. Sabatier
Methods and apparatus for teaching acoustics using low cost materials for high school and introductory acoustics and physics classes, including homemade instruments

Tools for Teaching Advanced Acoustics
(Joint with Physical Acoustics)
Organized by: Kent L. Gee, Scott D. Sommerfeldt
Techniques, animations, demonstrations and so forth, for acoustics education at the advanced undergraduate and graduate level

ENGINEERING ACOUSTICS (EA)

Acoustical Sensor and Array Technology
(Joint with Underwater Acoustics, Structural Acoustics and Vibration and Animal Bioacoustics)
Organized by: Dehua Huang and Thomas R. Howarth
Modeling, testing and development of acoustic sensors or arrays, and its applications

Advanced Acoustic Systems For Small Underwater Vehicles (Autonomous and Towed)
(Joint with Underwater Acoustics and Animal Bioacoustics)
Organized by: Kenneth M. Walsh
Small underwater vehicles use acoustic sensors for data gathering and guidance. The technology improvements in this field include transducer technology, signal processing, and processing hardware

Sensors and Systems for Acoustic Detection, Localization, and Characterization of Underground Structures, Objects and Tunnels
(Joint with Signal Processing in Acoustics, Noise and Physical Acoustics)
Organized by: Michael V. Scanlon
Using acoustics, both active and passive, to detect and locate structures under the ground and characterize them. Methods to induce acoustics within/around structures used with unique observation methods; coupling, artifacts, effects, etc.

MUSICAL ACOUSTICS (MU)

Acoustics of Keyboard Instruments
Organized by: Paul A. Wheeler
The acoustics, performance, and/or traditions of the piano, organ, and other keyboard instruments

Materials in Musical Instruments
Organized by: Uwe J. Hansen
Research on how various materials used to make musical instruments affect the acoustics of the instrument

Optical Methods for Studying Musical Instruments
(Joint with Engineering Acoustics)
Organized by: Thomas D. Rossing, Randy Worland
Holographic interferometry, speckle pattern interferometry, and laser vibrometry are examples of optical methods that are used to study modes of vibrations in musical instruments

NOISE (NS)

Acoustical Modeling for Complex Outdoor Environments
(Joint with Physical Acoustics)
Organized by: Siu-Kit Lauand Kai-Ming Li
Many modeling techniques have been proposed in recent years for increasing accuracy and reducing computational speed

Aircraft Flyover Noise Measurement and Source Modeling
(Joint with ASA Committee on Standards and Physical Acoustics)
Organized by: Richard L. McKinley
Civil transport and military aircraft present unique measurement challenges in order to accurately determine their noise source characteristics for use in community noise models

Analysis and Control of Information Technology Noise
Organized by: Scott D. Sommerfeldt, Kent L. Gee
Current research and case studies regarding characterization, analysis, and control methodologies for information technology (IT) noise

Community Noise Impact, Criteria, Mitigation From Outdoor Concert Venues
(Joint with Architectural Acoustics and Musical Acoustics)
Organized by: Steven D. Pettyjohn, Joel A. Lewitz
Case studies from a variety of concert venues from stadiums to amphitheaters and parks focusing on assisting communities with establishing criteria and monitoring for impact mitigation

Indoor psychoacoustic response to outdoor noise sources
Organized by: Alexandra Loubeau, Edward T. Nykaza, Erica Ryherd, Jonathan Rathsam
Recent work using psychoacoustic metrics to predict the indoor human response to outdoor noise sources (including sonic boom noise, blast noise, subsonic aircraft noise, ground transportation noise, and wind turbine noise)

Measurement and Assessment of the Soundscape in Parks and Wilderness Areas - NEW SESSION ADDED
Organized by: Paul D. Schomer, Kurt M. Fristrup
Concerned with determining a visitor's perception of the sound quality of a given hike, and termining and/or measuring both acosutic and non-acoustic variables for correlation with the sound quality judgments

Occupational Noise Exposure Assessment to Intervention
(Joint with ASA Committee on Standards and Psychological and Physiological Acoustics)
Organized by: William J. Murphy, Charles S. Hayden
Occupational noise exposure is responsible for the second largest incidence of noise induced hearing loss in the U.S. This session will cover the breadth of assessment of exposures to new interventions

Public Outreach Workshop on Community Noise
(Joint with Education in Acoustics)
Organized by: Lawrence S. Finegold
Follow-up on the Public Outreach Workshop held at the Baltimore meeting (April 2010). Community noise issues and open public discussions

Second Life Structures: Issues in the Repurposing of Buildings
(Joint with Architectural Acoustics)
Organized by: Norman H. Philipp
Analysis and case studies into the work done on buildings that are repurposed for new life through new usage

Wind Turbine Noise
(Joint with ASA Committee on Standards, Physical Acoustics, Animal Bioacoustics and Underwater Acoustics)
Organized by: Edward C. Duncan, Kenneth H. Kaliski
Further exploration of wind turbine noise issues, including local standards, offshore wind, and sound propagation modeling issues

PHYSICAL ACOUSTICS (PA)

The Acoustics of Gas Hydrates
(Joint with Acoustical Oceanography and Underwater Acoustics)
Organized by: Preston S. Wilson
Acoustic properties of gas hydrates and the use of acoustics to locate and characterize gas hydrates, including ebullition rate

Advances in Physical, Nonlinear, Engineering, and Atmospheric Acoustics in Memory of Professor Rong Jue Wei - A Pioneer of Acoustics Research and Education in China
(Joint with Engineering Acoustics)
Organized by: Junru Wu
Recognition of Rong Jue Wei's pioneering work in physical, nonlinear, engineering, and atmospheric acoustics as well as acoustics education in China; personal reminiscences of the professor's life and impact

Nonlinear Acoustic Waves and Their Characterization
(Joint with Biomedical Acoustics)
Organized by: Oleg A. Sapozhnikov, Robin O. Cleveland
Addresses the propagation and characterization of intense acoustic waves in gases, liquids, and solids

Violent Cavitation Activity in Water and Other Liquids
(Joint with Engineering Acoustics)
Organized by: Lawrence a. Crum, Thomas J. Matula
The explosive growth and violent collapse of a bubble, or a cluster of bubbles, can lead to extreme conditions inside and in the immediate vicinity of the bubble. Understanding these conditions, and designing ways to enhance these conditions are of interest

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PSYCHOLOGICAL AND PHYSIOLOGICAL ACOUSTICS (PP)

Advances in Auditory Development
(Joint with Animal Bioacoustics)
Organized by: Lynne A. Werner, Emily Buss
The development of different auditory capacities and some of the possible underlying neural mechanisms

Audio-Tactile Interactions: Recent Anatomical, Physiological, and Perceptual Research
(Joint with Engineering Acoustics)
Organized by: Charlotte M. Reed, Louis D. Braida
Survey of recent research into multisensory integration

Comparative Approaches to Peripheral Auditory Function
(Joint with Animal Bioacoustics)
Organized by: Christopher Bergevin
Focuses on the questions of what comparative approaches have taught us about peripheral auditory function

Psychophysical and Physiological Sensitivity to Interaural Level Differences
Organized by: G. Christopher Stecker
Binaural processing of sound involves sensitivity to both interaural time differences (ITD) and nteraural level differences (ILD) of sound arriving at the two ears. Of the two cues, a majority of research has focused on mechanisms underlying sensitivity to ITD. In this session, presenters will examine psychophysical and physiological evidence and new perspectives on the mechanisms of sensitivity to ILD, along with the perceptual consequences of that sensitivity for sounds carrying both cues

SIGNAL PROCESSING IN ACOUSTICS (SP)

Detection and Classification of Buried and Proud Targets
(Joint with Engineering Acoustics, Underwater Acoustics and Animal Bioacoustics)
Organized by: Jason E. Summers, Patrick J. Loughlin
Detection and identification of man-made underwater objects, such as buried or proud mines, by active sonar. Factors such as burial depth, orientation, and propagation effects that can degrade detection and classification performance are of interest

Source Localization and Characterization Using Time Reversal Methods
(Joint with Physical Acoustics, Underwater Acoustics, Biomedical Acoustics)
Organized by: Brian E. Anderson, Sean K. Lehman
Experimental and/or numerical work using time reversal techniques to locate and/or characterize acoustic sources

Tracking Using Least-Mean Squares (LMS) Recursive Estimators, Autoregressive (AR) Models, or Related Methods
(Joint with Animal Bioacoustics and Underwater Acoustics)
Organized by: Edmund J. Sullivan, Zoi-Heleni Michalopoulou
Theory and data-based examples of tracking targets or environmental time-varying parameters

SPEECH COMMUNICATION (SC)

Acoustic Analysis of Children's Speech
Organized by: Helen M. Hanson, Stefanie R. Shattuck-Hufnagel
Methods of analyzing the developing acoustic speech waveform, how that information can be used to evaluate models of phonological development, and the insights about speech that careful acoustic analysis of child speech can provide

Technological, Methodological and Theoretical Advances in Neuroimaging and Speech Perception
(Joint with Psychological and Physiological Acoustics)
Organized by: Patricia K. Kuhl
Recent advances in neuroimaging techniques and methods have successfully dealt with movement artifacts and other challenges, increasing the number and complexity of brain imaging studies investigating speech perception. The resulting studies have increased our understanding of language processing from infancy to adulthood. This session features presentations that describe the methodological advances and reflect on the theoretical issues raised by the new data

STRUCTURAL ACOUSTICS AND VIBRATION (SA)

Advances in Vibroacoustic Treatments for Vehicles
(Joint with Engineering Acoustics and Noise)
Organized by: Benjamin M. Shafer, Micah Shepherd
Advances in vibroacoustic treatments for aircraft, railway, and automobiles

Designing Quiet Composite Structures
(Joint with Noise and Engineering Acoustics)
Organized by: Gopal Mathur
Composite structures are playing an increasingly important role in aerospace structures. They however, pose challenges for noise and vibration control engineers. Research papers for designing quiet composite structures are welcome

Fluid-Structure Interaction, Computational and Experimental
Organized by: Dean E. Capone
Numerical and experimental techniques for studying systems in which fluid-structure interaction is a dominant contributor to the system response

Groundbourne and Structureborne Vibration From Transportation Systems
(Joint with Noise and ASA Committee on Standards)
Organized by: James E. Phillips
Measurement, analysis, and control of vibration generated by wheeled transportation vehicles

Near-Field Acoustical Holography
(Joint with Noise and Engineering Acoustics)
Organized by: Kent L. Gee, Scott D. Sommerfeldt
Theory and applications of near-field acoustical holography and other phased array methods

UNDERWATER ACOUSTICS (UW)

Measurement, Characterization, and Mitigation of Underwater Anthropogenic Noise
(Joint with Acoustical Oceanography and Animal Bioacoustics)
Organized by: Peter H. Dahl, George V. Frisk, Lisa M. Zurk
Issues associated with the physics of underwater anthropogenic noise including new sources (e.g., wind and tidal energy, offshore construction), mechanisms of noise generation, propagation effects, standards for measurement and characterization, and mitigation techniques

Sediment Acoustics and Geological Processes
(Joint with Acoustical Oceanography)
Organized by: Charles W. Holland, Allen Lowrie
An important component of sediment acoustics is measurement and prediction of geoacoustic spatial variability. This session explores processes that control variability (vertical and lateral) and affect geoacoustic inversion, addressing open questions in the sediment acoustics and geological modeling communities

STUDENT COUNCIL (ST)

Introduction to Technical Committee Research and Activities: Especially for Students and First-Time Meeting Attendees
Organized by: Lauren Ronsse, Dorea R. Ruggles
Designed specifically for students and first-time meeting attendees. An invited speaker from each of the 13 technical committees (TC) will give a broad, introductory-level talk on the research and activities that take place within their TC

FISHERIES WORKSHOP (FW)

Click here for information about submission of abstracts for the Acoustic Challenges in Aquatic Ecosystem Assessment Workshop

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HOT TOPICS SESSION

A "Hot Topics" session sponsored by the Tutorials Committee will cover the fields of Psychological and Physiological Acoustics, Signal Processing in Acoustics, and Underwater Acoustics.

A "Hot Topics" session sponsored by the ASA Tutorials Committee will cover the fields of Architectural Acoustics, Animal Bioacoustics, and Engineering Acoustics.

STUDENT DESIGN COMPETITION

The 2011 Student Design Competition will be displayed and judged at the Seattle meeting. This competition is intended to encourage students in the disciplines of architecture, engineering, physics, and other curriculums that involve building design and/or acoustics to express their knowledge of architectural acoustics and noise control in the design of a facility in which acoustical considerations are of significant importance.

The competition will be a poster session. Entries may be submitted by individual students of by teams of a maximum of three students. Undergraduate and graduate students are encouraged to participate. Students must be enrolled in either the Fall term of 2010 or the Spring term of 2011 to be eligible for the competition.

All competition entries will respond to a design scenario that will be announced by 1 November 2010. Information about the design scenario and registration for the competition will be available on the website of the Newman Fund, http://www.newemanfund.org. Additional information may be obtained by contacting Bob Coffeen, coffeen@ku.edu.

he Student Design Competition is sponsored by the Technical Committee on Architectural Acoustics, with support from the Wenger Foundation, the Robert Bradford Newman Student Award Fund, and the National Council of Acoustical Consultants.

OPEN MEETINGS OF TECHNICAL COMMITTEES

Technical Committees will hold open meetings on Tuesday, Wednesday, and Thursday evenings at 7:30 p.m. These are working, collegial meetings. Much of the work of the Society is accomplished by actions that originate and are taken in these meetings including proposals for special sessions, workshops and technical initiatives. All meeting participants are cordially invited to attend these meetings and to participate actively in the discussions.

GALLERY OF ACOUSTICS

The Technical Committee on Signal Processing in Acoustics will sponsor the twelfth Gallery of Acoustics at the 161st Meeting of the Acoustical Society of America in Seattle, WA. The Gallery is presented at Spring meetings. Its purpose is to enhance ASA meetings by providing a setting for researchers to display their work to all meeting attendees in a forum emphasizing the diversity, interdisciplinary, and artistic nature of acoustics. The Gallery of Acoustics provides a means by which we can all share and appreciate the natural beauty, aesthetic, and artistic appeal of acoustic phenomena: This is a forum where science meets art.

The Gallery will consist of a multimedia collection of images, videos, audio clips, and narrations, of images and/or sounds generated by acoustic processes or resulting from signal and image processing of acoustic data. Images and videos can consist of actual visualizations of acoustic processes, or of aesthetically and technically interesting images resulting from various signal and image processing techniques and data visualization. Audio clips and segments should also have aesthetic, artistic, and technical appeal.

Entries must be submitted electronically, either by email attachment, CD, or DVD. Images and photographs must be in one of the following formats:

PDF, EPS, TIFF, JPG (although lossless formats are encouraged)
Video (3 minute limit STRICTLY ENFORCED)
QuickTime, MPEG (with QuickTime compatible CODEC)

Audio Clips (3 minute limit STRICTLY ENFORCED):

AU, WAV, MP3, AIFF

Each entry will be an individual chapter on a single multimedia DVD. Written posters, descriptions, and abstracts will be posted on the Gallery of Acoustics display surrounding the video monitor.

All entries must be accompanied by all authors' names and affiliations, a brief description of the entry and importance or interest of the entry (no more than 1000 words), and statement of permission to publish the entry in complete form or in parts. The meeting attendees will vote on the entries on the basis of aesthetic/artistic appeal, ability to convey and exchange information, and originality. A cash prize of $500 will be awarded to the winning entry.

Note that authors must give permission for publication in complete form or in part to be eligible.

The relevant deadlines are as follows:

- 03 January 2011: Deadline for notice of intent to submit. Include a title, an abstract, and complete author list with full contact information. Please indicate the primary point of contact.

- 31 January 2011: Deadline for the receipt of all entries and materials.

Entries, requests for information and all other communications regarding the Gallery should be directed to:

Brian E. Anderson
Department of Physics and Astronomy
Brigham Young University
N377 Eyring Science Center
Provo, UT 84601
(801) 422-1570;
bea@byu.edu

ONLINE MEETING PAPERS

The ASA provides the "Meeting Papers Online" website where authors of papers to be presented at meetings will be able to post their full papers or presentation materials for others who are interested in obtaining detailed information about meeting presentations. The online site will be open for author submissions in April. Submission procedures and password information will be mailed to authors with the acceptance notices.

Those interested in obtaining copies of submitted papers for this meeting may access the service at anytime. No password is needed. The URL is http://scitation.aip.org/asameetingpapers.

PROCEEDINGS OF MEETINGS ON ACOUSTICS (POMA)

The upcoming meeting of the Acoustical Society of America will have a published proceedings, and submission is optional. The proceedings will be a separate volume of the online journal, "Proceedings of Meetings on Acoustics (POMA)." This is an open access journal, so that its articles are available in pdf format without charge to anyone in the world for downloading. Authors who are scheduled to present papers at the meeting are encouraged to prepare a suitable version in pdf format that will appear in POMA. The format requirements for POMA are somewhat more stringent than for posting on the ASA Online Meetings Papers Site, but the two versions could be the same. The POMA online site for submission of papers from the meeting will be opened after authors are notified that their papers have been accepted for presentation. It is not necessary to wait until after the meeting to submit one's paper to POMA. Further information regarding POMA can be found at http://asa.aip.org/poma.html. Published papers from previous meetings can be seen at http://scitation.aip.org/POMA.

MEETING PROGRAM

A complete meeting program will be mailed as Part 2 of the April issue of JASA. Abstracts will be available on the ASA Home Page http://asa.aip.org in April.

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ABSTRACT PREPARATION

An abstract of not more than 200 words is required for each paper, whether invited or contributed. ABSTRACTS LONGER THAN 200 WORDS WILL BE EDITED OR TRUNCATED. Authors must submit abstracts online.

ABSTRACT SUBMISSION GUIDELINES

ALL ABSTRACTS MUST BE SUBMITTED ONLINE BY 20 DECEMBER 2010. This deadline will be strictly enforced. ABSTRACTS SUBMITTED VIA POSTAL MAIL, FAX OR E-MAIL WILL NOT BE ACCEPTED. Contributors submitting abstracts online will receive acknowledgment that their abstracts have been received in the form of a Resubmission number and PIN on the final screen of the online submission process. Acceptance notices will be sent to authors in February by postal mail.

ABSTRACT LIMITATIONS

  • A contributor in Speech Communication may be the principal author of only one paper, and, subject to time and space limitations, may be the co-author of only one additional paper. Authors contributing papers in Speech Communication are also encouraged to select poster-style presentation.

  • Contributed papers in Psychological and Physiological Acoustics and Underwater Acoustics may be scheduled for lecture or poster presentation.

  • While authors may indicate a preference for presentation style, it may not always be possible to honor the request. Authors should be prepared to accept assignment of their abstracts to either lecture or poster presentation.

  • ACKNOWLEDGMENT OF RECEIPT OF ABSTRACTS SUBMITTED ONLINE

    A Reference Code and PIN will be issued for each submitted abstract which constitutes acknowledgment that the abstract has been received by the Society. These numbers will be provided on screen in the final step in the submission process. You will not receive separate acknowledgment by e-mail.

    If you do not receive acknowledgment as described above, your abstract has not been received by the Society. Please contact ASA [516-576-2360; asa@aip.org] immediately if you have submitted an abstract and do not receive an immediate acknowledgment of receipt or an error message.

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    AUDIO-VISUAL EQUIPMENT

    PC computers with stereo audio playback capability, computer projectors, and laser pointers will be provided in all lecture sessions. All other equipment is considered to be special equipment. Refer to the "Special Equipment" section below for additional information. Note that Mac computers will not be provided.

    SPECIAL EQUIPMENT, COMPUTER EQUIPMENT, AND SOFTWARE

    Any equipment other than PC computers with stereo audio playback capability, computer projectors, and laser pointers is "special equipment." Requests for special equipment (e.g., overhead transparency projectors, VCRs and monitors, audiotape playback equipment, CD players) must be specified at the time of abstract submission. Provision of unusual special equipment will depend upon availability and cost. Special software requests should also be made, if required.

    Please be specific about your audio needs, including number of channels and preferred loudspeaker arrangement.

    POSTER SESSION BOARDS

    Poster boards and fastening materials will be provided. If your poster needs to be located adjacent to a power outlet and/or you require the use of a table, please request these items when you submit your abstract.

    PROJECTION GUIDELINES FOR AUTHORS

    A PC computer with stereo playback capability and projector will be provided in each meeting room on which all authors who plan to use computer projection will load their presentations. Authors should bring computer presentations on a CD ROM or USB drive to load onto the provided computer and should arrive at the meeting rooms at least 30 minutes before the start of their sessions. Authors also have the option to connect their own laptops to the computer projector, however authors using their own laptops must also arrive at the meeting room at least 30 minutes before start of the session to setup this connection. Assistance in loading presentations onto the computers and switching to alternate computers will be provided.

    If using your own computer for your presentation you should bring copies of your presentation materials on CD ROM or a USB drive as a backup. This may overcome any possible interface or cable problems between your computer and the projector.

    Note that only PC format will be supported so authors using Macs must save their presentations for projection in PC format. Also, authors who plan to play audio during their presentations should insure that their sound files are also saved on the CD ROM or USB drive.

    Guidelines for use of computer projection will be supplied with acceptance notices.

    AUDIO/VISUAL PREVIEW ROOM

    Computer presentations and other audio/visual materials can be reviewed by authors in the audio/visual preview room at the meeting.

    BEST STUDENT PAPER AWARDS

    The ASA Technical Committees on Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Biomedical Acoustics (Spring meeting only), Engineering Acoustics, Musical Acoustics, Noise, Physical Acoustics, Signal Processing in Acoustics, Speech Communication, Structural Acoustics and Vibration, and Underwater Acoustics offer Best Paper Awards to students or young presenters who present papers at Society meetings. Authors need not be members of ASA to qualify. If you want your paper to be considered for an award, you must indicate this when you submit your abstract. Please read the entry qualifications below to be sure that you are eligible and follow the instructions for entering the individual Technical Committee competitions.

    COMMITTEES OFFERING THESE AWARDS:

    Acoustical Oceanography, Animal Bioacoustics, Architectural Acoustics, Engineering Acoustics, Musical Acoustics, Physical Acoustics, Speech Communication, Structural Acoustics and Vibration, and Underwater Acoustics

    AWARD AMOUNTS:

    For each of the Technical Committees granting awards, up to two awards will be presented to students presenting papers in sessions organized by the specific Technical Committee: $300 USD for first prize and $200 USD for second prize.

    QUALIFICATIONS:

    To qualify for each of these awards, an author must:

  • be enrolled as a student at least half-time (graduates are eligible if the work being presented was performed as a student within one year of the meeting). Note that you do not need to be a member of the ASA to qualify

  • be listed as the first author on the submitted abstract

  • present the paper at the meeting

  • submit a copy of the presentation materials or a written text to the online meeting papers website prior to the start of the meeting, (this is not required for papers presented in a poster session and/or for entries in Animal Bioacoustics, Speech Communication and Underwater Acoustics)

  • SELECTION:

    The award winners will be selected by a subcommittee of each of the Technical Committees granting awards, based upon the quality of both the content of the paper and its presentation. The awards will be announced either at the meeting of the Technical Committee or after the close of the meeting.

    APPLICATION:

    All those who wish to participate in the competition for these awards must indicate their intention to enter the competition during the abstract submission process by clicking the entry box on the online submission form.

    For (name of appropriate Technical Committee) Best Student Paper Award

    BIOMEDICAL ACOUSTICS STUDENT PAPER AWARD

    The ASA Technical Committee on Biomedical Acoustics offers a Best Student Poster Award to students who present at spring meetings. Students who enter the competition are expected to give an oral presentation in a regular/special session and defend a poster in a separate student poster session. Only the poster presentation will be judged for the competition. Abstracts submitted by students who elect to participate in the competition will be listed in the program in appropriate oral sessions. Please read the entry qualifications that appear below to be sure you are eligible and follow the instructions for entering the competition.

    AWARD AMOUNTS:

    Up to three awards will be presented to students presenting papers in sessions organized by the Technical Committee for Biomedical Acoustics and participating in the special student poster session: $500 for first prize, $300 for second prize, and $200 for third prize.

    QUALIFICATIONS:

    To qualify for an award, a student must:

  • be enrolled as a student at least half-time (graduates are eligible if the work being presented was performed as a student within one year of the meeting). Note that you do not need to be a member of the ASA to qualify

  • be listed as the first author on the submitted abstract
  • present the paper in an oral session
  • defend the poster at a special student poster session, which will be open to all attendees

  • SELECTION:

    The awardees will be selected by a panel of judges, based upon the quality of the content of the poster and a brief presentation to the judges during a designated poster session. The award winners will be announced either at the meeting of the Biomedical Acoustics Technical Committee or after the close of the meeting.

    APPLICATION:

    All those who wish to participate in the competition must indicate their intention by clicking the entry box on the online abstract submission form. Additional details will be sent to entrants after the program has been organized.

    ASA BEST "OUTSTANDING PAPER BY A YOUNG PRESENTER" AWARDS

    Note that you need not be a student to qualify for these two awards

    COMMITTEES OFFERING THESE AWARDS:

    Noise and Signal Processing in Acoustics

    AWARD AMOUNTS:

    Noise - Up to three awards of up to $250 USD each will be given for outstanding papers presented in sessions organized by the Technical Committee on Noise.

    Signal Processing - One award of $500 USD will be given for outstanding paper presented in a session organized by the Technical Committee on Signal Processing in Acoustics.

    QUALIFICATIONS:

    To qualify for an award, the paper author must:

  • be under 30 years of age as of 1 January 2011

  • be listed as the first author of the paper and actually present the paper

  • SELECTION:

    Selection of the award winners will be based on the quality of the presented paper, comprising both the content and its delivery. The award winners will be chosen by a subcommittee of the Technical Committee and will be announced after the close of the meeting.

    APPLICATION: The Award Subcommittees would like to consider papers by all authors who meet the eligibility criteria. Neither membership in the Acoustical Society, nor previous experience in the ASA, is required. Because the committees have no other way to identify eligible authors, however, it is essential that eligible authors indicate their intention to enter the competition during the abstract submission process by clicking the entry box on the online submission form.

    Submitted For (name of appropriate Technical Committee) Young Presenter Award

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    TUTORIAL LECTURE ON SHEDDING LIGHT ON MEDICAL ULTRASOUND: THE COMBINED USE OF LIGHT AND SOUND FOR IMAGING AND THERAPY

    A tutorial presentation on "Shedding Light on Medical Ultrasound: The Combined Use of Light and Sound for Imaging and Therapy" will be given by Ronald A. Roy of Boston University on Monday, 23 May, at 7:00 p.m.

    ABSTRACT

    The phenomena of light and sound propagation through tissue can be coupled in a variety of useful and interesting ways. Acoustic waves perturb mechanical properties, resulting in spatiotemporal changes in refractive index and optical scattering. If a beam of sound travels through tissue illuminated with diffuse light, photons passing through the beam are phase modulated at the ultrasound frequency, and their detection yields information on tissue absorption and scattering via a process known as the acousto-optic effect. Alternatively, if a short pulse of laser light passes through tissue possessing spatial variability in optical absorption, thermo-elastic expansion results from the rapid conversion of light energy to heat. This launches an acoustic wave, which can then be used to determine the spatial distribution of optical absorption. This phenomenon, referred to as the "opto-acoustic" or "photo-acoustic" effect, can precisely map out tissue vascularity, albeit at relatively shallow depth. "Light and Sound" have been used to effect contrast enhanced imaging using nano-particles, to image high-intensity focused ultrasound (HIFU) lesions, and even to noninvasively measure temperature. In the first half of the tutorial, we will present an introduction to the emerging field of dual wave imaging using light and sound, give a few illustrative examples, and comment on the potential for applying these concepts to clinical imaging.

    In the second half, we effect a transition from imaging mode to therapy mode simply by the addition of a high-intensity HIFU beam. Such a beam can be used to pump the acousto-optic interaction, to enhance the level of opto-acoustic emissions, and to modify the cavitation threshold of tissues and thereby promote cavitation-mediated therapy at lower (i.e., safer) acoustic intensities. The tutorial will include a brief review of physical and biological effects of HIFU-induced cavitation and will discuss how the addition of light and nano-particles enhance both the efficacy and targeting accuracy of HIFU therapy in optically diffuse tissues such as breast and brain.

    LECTURE NOTES

    Lecture notes will be available at the meeting in limited supply. Those who register by 18 April are guaranteed receipt of a set of notes.

    TUTORIAL LECTURE PREREGISTRATION

    To partially defray the cost of the lecture a registration fee is charged. The fee is $15 USD for registration received by 18 April and $25 USD at the meeting. The fee for students with current ID cards is $7 USD for registration received by 18 April and $12 USD at the meeting. To register, download the registration form or register online.

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    SHORT COURSE ON ACTIVE NOISE CONTROL

    INTRODUCTION

    Active control of sound is an acoustic phenomenon that has been a subject of research for close to a century. With the advent of digital systems in the past few decades, great progress has been made in furthering our understanding of this technology and working towards successful applications using active noise control. Nonetheless, its capabilities and limitations have often been misunderstood. Noise control applications are numerous in our society, with passive noise control and active noise control being two general categories of noise control techniques available. Rather than these two approaches being viewed as competitive, they should more correctly be viewed as complementary, as active noise control solutions are most effective in the regime where passive noise control solutions are problematic, and vice versa. The course will cover the underlying physical principles associated with the active control of sound, as well as considerations for developing and implementing an active control system. Application areas will be identified and overviewed where active control of sound has been successfully implemented or promises to be capable of being successful in the near future.

    OBJECTIVE

    To introduce the physical principles, basic signal processing, and system design concepts needed to have a correct understanding of how active sound control systems operate. We will also outline application areas where active control solutions would be appropriate and where they would not be appropriate, with examples of a number of these applications.

    INSTRUCTORS

    The short course will be taught by a team of instructors with expertise in various aspects of active control of sound. Scott Sommerfeldt is a Professor of Physics at Brigham Young University and is currently Dean of the College of Physical and Mathematical Sciences. He has been engaged in research in active control of sound and vibration for 25 years, and currently has two patents related to active control that have been issued with four additional patents pending. Dr. Sommerfeldt is a Fellow of the Acoustical Society of America (ASA) and currently is a member of the ASA Executive Council and the Institute of Noise Control Engineering Board of Directors. Kent Gee is an Assistant Professor of Physics at Brigham Young University. He has worked on research in active control of sound for 10 years as well as on research in nonlinear jet noise and rocket noise acoustics. He has one active control patent that has been issued, with an additional patent pending. Dr. Gee was the 2010 recipient of the R. Bruce Lindsay Award from the ASA.

    PROGRAM

    Sunday, 22 May 2011, 1:00 to 5:00 p.m.
    Monday, 23 May 2011, 8:30 a.m. to 12:30 p.m.

    TOPICS

    1. Introduction
    2. Basic physical principles associated with active control
    a. Active control vs. passive control
    b. Physical mechanisms to achieve active control of sound fields
    c. Local vs. global control solutions
    d. Hierarchy of factors affecting performance of active control solutions
    3. Active control of one-dimensional fields (Ducts)
    a. Option for minimizing the field
    b. Source/error sensor placement issues
    c. Plane wave vs. higher-order mode solutions
    d. Applications
    4. Basic signal processing concepts for active control of sound
    a. Digital filtering
    b. Adaptive control algorithms
    i. LMS algorithms
    ii. Filtered-x algorithm
    iii. Other algorithms
    c. System identification
    5. Active control of free-space radiation
    a. Source coupling concepts
    b. Local vs. global control

    c. Minimization of sound power – single and multiple control sources

    d. Near-field vs. far-field sensing
    e. Applications

    6. Active control of enclosed sound fields
    a. Modal coupling

    b. Minimization of global potential energy as a benchmark
    c. Alternative minimization criteria
    d. Applications
    7. Active structural acoustic control
    a. Sound-structure interaction

    b. Control of vibration vs. control of acoustic radiation

    c. Acoustic radiation modes

    d. Applications

    8. Summary
    REGISTRATION

    The full registration fee is $300 USD ($125 USD for students) and covers attendance, instructional materials and coffee breaks. The number of attendees will be limited so please register early to avoid disappointment. Only those who have registered by 18 April will be guaranteed receipt of instruction materials. There will be a $50 USD discount off the full registration fee (discount does not apply to student fee) for registration made prior to 18 April. Full refunds will be made for cancellations prior to 18 April. Any cancellations after 18 April will be charged a $25 USD processing fee. Register online or download the hard copy registration form. If you miss the preregistration deadline and are interested in attending the course, please send an email to asa@aip.org.

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    SPECIAL MEETING FEATURES

    STUDENT TRANSPORTATION SUBSIDIES

    A student transportation subsidies fund has been established to provide limited funds to students to partially defray transportation expenses to meetings. Students presenting papers who propose to travel in groups using economical ground transportation will be given first priority to receive subsidies, although these conditions are not mandatory. No reimbursement is intended for the cost of food or housing. The amount granted each student depends on the number of requests received. To apply for a subsidy, submit a proposal by e-mail to be received by 18 April 2011 to: Jolene Ehl, jehl@aip.org. The proposal should include your status as a student; whether you have submitted an abstract; whether you are a member of ASA; method of travel; if traveling by auto; whether you will travel alone or with other students; names of those traveling with you; and approximate cost of transportation.

    YOUNG INVESTIGATOR TRAVEL GRANT

    The Committee on Women in Acoustics (WIA) is sponsoring a Young Investigator Travel Grant to help with travel costs associated with presenting a paper at the Seattle meeting. Young professionals who have completed their doctorate in the past five years are eligible to apply if they plan to present a paper at the Seattle meeting, are not currently students, and have not previously received the award. Each award will be of the order of $500 with two awards anticipated. Awards will be presented by check at the WIA luncheon at the meeting. Both men and women may apply. Applicants should submit a request for support, a copy of the abstract for their presentation at the meeting, and a current resume/vita which includes information on their involvement in the field of acoustics and in the ASA. Submission by e-mail is preferred to Dr. Erica Ryherd erica.ryherd@me.gatech.edu. Deadline for receipt of applications is 15 March 2011.

    STUDENTS MEET MEMBERS FOR LUNCH

    The ASA Education Committee provides a way for a student to meet one-on-one with a member of the Acoustical Society over lunch. The purpose is to make it easier for students to meet and interact with members at ASA meetings. Each lunch pairing is arranged separately. Students who wish to participate should contact David Blackstock, University of Texas at Austin, by e-mail dtb@mail.utexas.edu. Please provide your name, university, department, degree you are seeking (BS, MS, or PhD), research field, acoustical interests, and days you are free for lunch. The sign-up deadline is twelve days before the start of the meeting, but an earlier sign-up is strongly encouraged. Each participant pays for his/her own meal.

    PLENARY SESSIONS, AWARDS CEREMONY, SOCIETY LECTURE AND LUNCHEON, AND SOCIAL EVENTS

    Buffet socials with cash bar will be held on Tuesday and Thursday at the Sheraton Seattle Hotel.

    The ASA Plenary session will be held Wednesday afternoon, 25 May, where Society awards will be presented and recognition of newly-elected Fellows will be announced.

    A Society Lecture and Luncheon sponsored by the College of Fellows will be held Thursday, 26 May, at 12:00 noon. This luncheon is open to all attendees and their guests. Register online or use the downloadable form.

    WOMEN IN ACOUSTICS LUNCHEON

    The Women in Acoustics luncheon will be held on Wednesday, 25 May. The fee is $20 (students $10) for pre-registration by 18 April and $25 (students $10) at the meeting. Those who wish to attend this luncheon must register online or use the downloadable form.

    TRANSPORTATION AND TRAVEL INFORMATION

    AIR TRANSPORTATION

    Seattle is served by all major airlines through Seattle-Tacoma International airport (SeaTac). Information is available on the web at www.portseattle.org/seatac/.

    GROUND TRANSPORTATION

    There is a variety of ground transportation options between SeaTac and the Sheraton Seattle Hotel, including taxi, shuttle, light rail, and car rental. A convenient map showing the locations of ground transportation can be found at www.portseattle.org/about/maps/ground.shtml

    Airport Shuttle: Grayline operates a shuttle service to major hotels in downtown Seattle, including the Sheraton. Current prices are about $15 each way, $25 round trip. For additional information visit www.graylineseattle.com; reservations can also be made by calling 800-426-7532. Location is third floor of the parking garage.

    Taxis: Regular taxis are available on the third floor of the parking garage. The cost from the airport to downtown Seattle is approximately $42 USD, depending on traffic.

    Light Rail: Light Rail service < www.soundtransit.org/x11204.xml> is available from SeaTac to downtown Seattle. The stop nearest the Sheraton is the Westlake Station, at the corner of 4th Ave & Pine St (Walk 1 block South, and 2 blocks East to the Sheraton). Location of the airport station can be found at www.portseattle.org/seatac/ground/rail.shtml. The one-way cost is $2.50 ($1.25 for senior citizens).

    Rental Car: We do not recommend renting a car during the conference unless you are planning trips out of town. Most everything you need should be within walking distance of the hotel.

    HOTEL RESERVATION INFORMATION

    A block of guest rooms at discounted rates has been reserved for meeting participants at the Sheraton Seattle Hotel. Early reservations are strongly recommended. Note that the special ASA meeting rates are not guaranteed after 2 May 2011. You must mention the Acoustical Society of America when making your reservations to obtain the special ASA meeting rates.

    SHERATON SEATTLE HOTEL

    The Sheraton Seattle Hotel is located in the center of the city steps away from Seattle's best attractions.

    Please make your reservation directly with the Sheraton Seattle Hotel. When making your reservation, you must mention the Acoustical Society of America to obtain the special ASA rates. Alternatively, reservations can be made directly online at the website listed below, which has been set up specifically for the Acoustical Society of America where the meeting rates and all applicable information is incorporated.

    Sheraton Seattle Hotel
    1400 Sixth Avenue
    Seattle, WA 98101
    Tel.: (206) 621-9000
    FAX: (206) 621-9441
    Toll-Free: 1-800-325-3535

    RESERVATION PROCEDURES

    Online Reservations

    www.starwoodmeeting.com/Book/asa2011

    Individual Call-In: 1-888-627-7056

    Individuals to call in with the following information:

    Guest's first/last names, arrival date/time, departure date, bed type preference (King or Two Double Beds)

    All rooms are non-smoking

    A credit card or method of guarantee will be required.

    Cancellations must be made 24 hours prior to arrival to avoid billing of the first night's room and tax charges

    ROOM RATES

    Traditional: $169.00 Single/Double
    Deluxe: $189.00 Single/Double
    Deluxe Corner: $199.00 Single/Double
    Club Level: $209.00 Single/Double

    All rooms are subject to tax (currently 9.5%)

    Reservation cut-off date: 2 May 2011

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    GENERAL INFORMATION

    COMMITTEE MEETINGS

    Meetings of Administrative, Technical and Standards Committees, including Working Groups, will be announced in the printed program if requests are received not later than 20 December 2010. Requests for meeting space, special luncheons, etc., should be made as early as possible to: Elaine Moran, Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747, 516-576-2377; asa@aip.org.

    Requests should be made by postal mail, fax, or e-mail, and should specify the committee's needs for space, room arrangement, furnishings, catering, and any special equipment. Reservations will not be taken by phone. Requesters should note that space is limited, and that late requests can be filled only on a space-available basis.

    ASSISTIVE LISTENING DEVICES

    Anyone planning to attend the meeting who will require the use of an assistive listening device, is requested to advise the Society in advance of the meeting: Acoustical Society of America, Suite 1NO1, 2 Huntington Quadrangle, Melville, NY 11747-4502, asa@aip.org.

    ACCOMPANYING PERSONS PROGRAM

    Spouses and other visitors are welcome at the Seattle meeting. The registration fee is $60 for preregistration by 18 April and $95 USD at the meeting.

    A hospitality room for accompanying persons will be open at the Sheraton Seattle Hotel from 8:00 to 10:00 a.m., Monday through Friday. Almost all attractions in downtown Seattle are within walking distance of the hotel. Please check the ASA website at http://asa.aip.org/meetings.html for updates about the accompanying persons program.

    REGISTRATION INFORMATION

    The registration desk at the meeting will open on Monday, 23 May, at the Sheraton Seattle Hotel. Register online or use the downloadable registration form to register. If your registration is not received at the ASA headquarters by 18 April you must register on-site.

    Category Preregistration
    By 18 April
    Onsite Registration
    Acoustical Society Members $395 $455
    Acoustical Society Members One-Day Attendance* $200 $260
    Nonmembers $445 $505
    Nonmembers One-Day Attendance* $225 $285
    Nonmember Invited Speakers One-Day Attendance* Fee Waived Fee Waived
    Nonmember Invited Speakers
    (includes one-year ASA membership upon
    completion of an application)
    $110 $110
    ASA Early Career Associate or Full Members
    (for ASA members who transferred from ASA student member
    status in 2009, 2010, or 2011)
    $200 $260
    ASA Student Members (with current ID cards) Fee Waived $25
    Nonmember Students (with current ID cards) $50 $60
    Nonmember Undergraduate Students
    (with current ID cards indicating undergraduate status)
    Fee waived $60
    ASA Emeritus Members
    (Emeritus status pre-approved by ASA)
    $60 $95
    Accompanying Persons
    (Registrants who will not participate in the technical sessions)
    $60 $95

    Nonmembers who register for the full meeting week and simultaneously apply for Associate Membership in the Acoustical Society of America will be given a $50 discount off their dues payment for the first year (2011) of membership. Invited speakers who are members of the Acoustical Society of America are expected to pay the registration fee, but nonmember invited speakers may register for one-day only without charge. A nonmember invited speaker who pays the full-week registration fee, will be given one free year of membership upon completion of an ASA application form.

    NOTE: A $25 FEE WILL BE CHARGED FOR CANCELLATIONS AFTER 18 APRIL.

    ONLINE REGISTRATION

    Online registration is available at http://asa.aip.org.

    *One-day registration is for participants who will attend the meeting for only one day. If you will be at the meeting for more than one day either presenting a paper and/or attending sessions, you must register and pay the full registration fee.

    ACOUSTIC CHALLENGES IN AQUATIC ECOSYSTEM ASSESSMENT WORKSHOP REGISTRATION

    Registration for this workshop will be through the ASA meeting registration, whether you are attending both the ASA meeting and the workshop, or only the joint ASA/AFS Workshop. The registration fees are $150 for ASA/AFS Members received by 18 April and $200 onsite; $200 for Nonmembers received by 18 April and $250 onsite; $45 for ASA/AFS Student Members received by 18 April and $95 onsite; and $95 for Nonmember Students preregistration and onsite. Register online or download the registration form. Registration includes the scientific program, two morning and afternoon coffee/tea breaks, one lunch, the Wednesday evening opening reception, and a buffet social on Thursday evening. Attendees can pre-register through the ASA website. Space permitting, on-site registration will be accepted at the main ASA Seattle meeting (with an added late fee of $50). Note however that on-site registration will be closed at 5:00 p.m. on Tuesday, May 24th.

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    ASA ONLINE MEETING ABSTRACT SUBMISSION PROCEDURES

    Instructions for the preparation and submission of abstracts on the World Wide Web are provided online.

    Acknowledgment that your abstract has been accepted into the database will be issued online automatically in the form of a "Reference Code" and PIN. PLEASE NOTE THAT UNTIL THESE HAVE BEEN ISSUED ON SCREEN YOUR ABSTRACT HAS NOT BEEN ENTERED INTO THE DATABASE. You will not receive a separate e-mail acknowledgment.

    1. Online Abstract Submuission site is accessed on ASA Home Page at http://asa.aip.org

    2. Click on "Submit Abstract for the Seattle meeting" from the main page

    3. Enter Password: Seattle

    4. Next screen will ask you to indicate whether you wish to submit a new abstract or to view/edit a previously submitted abstract.

    5. On the next screen you will enter the corresponding author's contact information, title of abstract, technical committee that covers the topic of your abstract, special session (if any), and the PACS code. Click continue when finished. Please enter the complete postal address to which to send the acceptance notice.

    6. You will then move to the Author affiliation screen. This is where you will enter all authors names (including the corresponding authors information again) and affiliations. Please enter authors in the order that they should appear on the abstract. One complete address and email address will be published for the first author only. Truncated addresses should be entered for all other authors. You must abbreviate as many words as possible, (e.g., Univ., Dept., St., Ave., two letter state abbreviations, etc.)

    7. The next screen will contain a blank template for entering abstract text as well as additional details required for the submission process. It is very important to use LaTeX codes to enter boldface, italics, phonetic symbols or mathematical expressions. Please refer to the LaTeX help link for entering special symbols or refer to pages 22 and 23 printed Call for Papers.

    8. When you are ready for final submission of the abstract, click "Save." The next screen will contain your Reference Code and PIN for your submission. This is your acknowledgment that the abstract has been entered into the database. Please retain this number should you wish to view or edit this abstract at a later time (prior to the deadline date).

    9. If you wish to view or edit your submission, select "Existing Submission" and enter your Reference Code and PIN issued at the time you submitted the abstract originally. The templates containing your abstract submission will be provided for viewing or editing. Upon completion, you will not be issued a new Reference Code and PIN.

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    MEETING COMMITTEE
    Thomas J. Matula, General Chair
    Eric I. Thorsos, Technical Program Chair
    Michael R. Bailey, Neil R. Owen, Mark Stockham, Audio Visual
    Hong Chen, Jiao Yu, Julianna Simon, Tony Li, Socials/Student Receptions
    Robert C. Spindel, Public Relations
    Jia-Ling Ruan, Navid Farr, Wei Lu, Camilo Perez, Signs/Posters
    Bryan Cunitz, Barbrina Dunmire, Technical Tours
    Marilyn Matula, Yak-Nam Wang, Jiao Yu, Tatiana D. Khokhlova, Accompanying Persons Program
    Skip Denny, Meeting Liaison/Northwest Chapter